'American Idol' behind the scenes: 'Idol' coaches talk the Top 9 -- EXCLUSIVE

idol-top-9

Image Credit: Michael Becker / Fox

Continuing our exclusive series, American Idol vocal coach and arranger Debra Byrd and associate music director and arranger Michael Orland sat down with EW to discuss Wednesday night’s Top 9 performance show. For a decade, Byrd and Orland have been on the front lines with the contestants, from Hollywood Week to the grand finale in May. The two work with the contestants on their respective songs, helping them shine on the Idol stage and in front of a national TV audience. Click through to read their take on this week’s “Rock & Roll Hall of Fame” show, including why Jacob initially selected Marvin Gaye’s “Let’s Get It On” only to then switch songs, what trait Stefano shares with Carrie Underwood, and how Orland got Lauren to hit those mighty Aretha Franklin notes.

JACOB LUSK — “Man in the Mirror” (Michael Jackson)
DB: You saw him with Jimmy Iovine and will.i.am, and he chose [Marvin Gaye’s] “Let’s Get It On.” He walked away from there and came to [associate music director] Matt Rohde and I and said, “I’m going to sing ‘Let’s Get It On,’ and I don’t think I want to do that song.” He felt that he couldn’t pull it off because it was so overtly sexual. He even went so far as to say, “You know I write love songs.” And he quoted one of his own lyrics, and it was a little more artsy and flowery.

When you go against two music icons — will.i.am and Jimmy Iovine — those are forces to be reckoned with. What I hear a lot is “I don’t want to be disrespectful,” and they all say it. And [changing songs] was agony for him. He didn’t want to be disrespectful, but he wanted to be true to himself.

He was also very excited to have [the song’s co-writer] Siedah Garrett on stage with him. That added an extra element — that he could walk over and sing a portion of this song with her. Siedah delayed her flight to Malaysia to do Idol. It was an extremely expensive ticket to change, because she was doing a corporate gig in Malaysia. But she wouldn’t miss this opportunity to save her life.

HALEY REINHART — “Piece of My Heart” (Janis Joplin cover of Erma Franklin)
DB: She wanted to do another song, but it wasn’t eligible. So we went for a song that was close to it, and that became “Piece of My Heart.” She said, “Well, they said they want to hear Joplin, I’ll give them that.” It happened with Ashthon Jones, when they said, “You’re like Diana Ross,” so she sang Diana Ross. It happens because [the singers] don’t want to be disrespectful. It really is that simple.

CASEY ABRAMS — “Have You Ever Seen the Rain?” (Creedence Clearwater Revival)
MO: Every Friday, [executive producers] Ken Warwick and Nigel Lythgoe and I sit in a room, and every contestant comes in and goes through their two to five choices that they want to sing. I’m happy Casey changed his song. He knew he wanted to do something with his bass, and he just wasn’t feeling it [with The Police’s “Every Little Thing She Does Is Magic”]. He changed it right away. Somebody mentioned “Have You Ever Seen the Rain?” and I started playing it [on the piano], and Casey was like, “Oh my God, this is it!” He knew immediately.

One of my favorite things that Casey did was in Hollywood Week, when he was playing the standup bass and sang “Why Don’t You Do Right?” He did this harmony thing with his voice and the bass, and I said, “That’s what we need to put at the end of this song.” That whole thing he did at the end was something we came up with upstairs. He has a great ear. Literally, I play stuff on the piano, and he’s like, “No no no, make that a major seventh.” He hears everything.

LAUREN ALAINA — “(You Make Me Feel Like) A Natural Woman” (Aretha Franklin)
MO: Somebody told her that Kelly Clarkson did [the song] on Season 1, and it was kind of in her head. She started watching it, and Kelly did that really high note. So we decided to give Lauren something else. We put a key change in it, and [track producer] Rodney Jerkins gave her that one big note to hold. Yesterday, all day, she was so scared of hitting [that note]. I said, “The note you’re scared of hitting, you’ve hit it before.” I think she was thinking about it too much. Today, after dress rehearsals, I made her march around the room and sing that note without thinking while waving her arms and jogging in place. She nailed it, and she did it tonight. She’s coming into her own. Before, I doubted if she was ready for all this just because of her age. There’s not a doubt in my mind now.

JAMES DURBIN — “While My Guitar Gently Weeps” (The Beatles)
MO: He showed me a video on YouTube of his band doing [the song]. He’s done it for a long time, and that song is something really special to him. He knew he wanted to bring it down. He’s needed to, like Pia needed to go up. He needed to show that he knew how to do that, and it was really emotional for him. I love that we got to see that side of him, and that he could sit still and sing that on Rock Week when everyone was like, “This is going to be your week to belt it out and scream across the stage.” He didn’t, and I think it was a risk that paid off.

SCOTTY McCREERY — “That’s All Right” (Elvis Presley)
MO: I was nervous about him picking an Elvis song because he’s talked about being a huge Elvis fan before. Like we’ve already gone there. But instead of doing an Elvis impression, he did Scotty doing an Elvis song, which was really great. The arrangement he did on the stage tonight was the arrangement we first worked out on Friday.

The boy is finding his own style — the way he holds the mic and the way he moves. He was like moving his … everything! And [how he holds the mic] has become a thing with him. At first, I tried to break it. I thought it was because he was not comfortable onstage without his guitar. But it’s become how he performs now, and I dig it. I think people are going to start imitating him!

PIA TOSCANO — “River Deep — Mountain High” (Ike & Tina Turner)
MO: I felt there was too much pressure on her to perform this big, up-tempo number, like the whole country was waiting for it. But she did so well tonight. She did it three times this morning and then at dress rehearsal and then at the show, and every time she did it, she got more and more into it. She’s just got to let it go. That’s an age thing. When Carrie Underwood was on this show, she didn’t move like she moves today. Pia has got this unbelievable voice that can sing anything, and tonight she proved that she can walk around the stage. And yes, she can still work on it more. But I’m telling you, mark my words: Pia’s going to turn into an unbelievable performer by the time the show is over.

STEFANO LANGONE — “When a Man Loves a Woman” (Percy Sledge)
DB: [In regard to Randy Jackson calling his performance “jerky”] Stefano asked me about that after he performed. During dress rehearsal today, it was much jerkier. I mentioned it to him, and he smoothed it out. Before the show, we were upstairs and sang it at least five times. I said, “I need you to smooth it out and connect your notes.” That’s specifically what Randy meant. It’s a style — on some songs it works, and on other songs it does not. This was one of those songs [where] you have to alter your style, and be mindful of what the emotion of the song is. It’s not a jerky motion — it’s a very loving and fluid emotion.

What happened with Stefano was something I went through with Carrie Underwood and David Cook. I said, “Stefano, you sing very well, but I need more. You need to invest in your songs emotionally.” It’s very hard for some singers to let their guard down. It’s more of an emotional investment. And Carrie Underwood didn’t want to go to that [emotional] place, and I said, “If you don’t want to go there, the audience won’t go there either.” I know Stefano went there [tonight]. He broke through a wall.

PAUL McDONALD — “Folsom Prison Blues” (Johnny Cash)
DB: Last week’s song he had to learn [how to play it on guitar], but this week’s song he was more comfortable with. It’s not a hard song to play. A lot of people are more comfortable with their instrument than they are standing alone without it, and he’s probably one of those guys. One of the things he questioned was if the tempo was too fast. I remember Jimmy Iovine saying, “It’s got to be fast,” and Paul was doubting it. He asked Matt Rohde and I, “Do you think it’s too fast?” We said, “No, it’s very exciting the way it is.” And he’s like, “You sure?”

Read more:
‘American Idol’ recap: The Rock Garden
‘American Idol’ on the scene for Top 9 performance night: Impromptu dancing, Steven Tyler’s mighty appetite, and Jennifer Lopez throws a punch
‘American Idol': Top 9 Power List


Comments (41 total) Add your comment
Page: 1 2
  • TBone42

    If ya can’t do it better and yer not in the business: siddown an’ shaddup!

    • bonnie ryan

      sending Pia home — huge mistake she was one of the best. My husband and I are still in disbelief half hour after the show was over.

  • jwest

    STEFANO LANGONE should be gone!

    • pabby

      I happen to love Stefano, and think he has one of the best voices of the entire group. However, I think the judges have gotten into his head too much the past couple of weeks with their critiques of keeping his eyes open, and I think that has only distracted him from emotionally connecting to the two previous songs. This week, I think he’s back on track, and I hope he sticks around. I don’t think I can take another week of Haley’s growling, though.

      • Templar

        My question is for the coaches. Why doesn’t someone tell Stefano to sing something that isn’t about romance? He has such a tendency to over emote that he kills the mood. Tell him to sing something fun. I don’t know what next week’s theme might be, but Billy Joel’s [not Bon Jovi’s] “It’s My Life” would be a step in the right direction.

      • Lola

        @Templar – agreed. Stefano’s best songs were a Stevie Wonder (Hollywood week) performance and Smokey Worful’s “I Need You”

    • Hilda

      No! Get rid of Lucas. He’s getting to big for his boots.

  • Jane

    Haley’s would have been more interesting if you told us what she wanted to sing.

    • bruno

      totally. i was dissapointed she did a joplin song. just too on the nose. i was hoping for more from her, wish we’d have known what it could have been.

      • Peggy Sue

        What do you mean you were hoping for more from her – who in the world can do Janice Joplin that well? I thought it was fantastic.

      • Vighorois

        But Piece Of My Heart is kinda predictable for her, and it’s been performed so many times on Idol stage. Indeed, I’d like to know what Haley’s original choice was…

  • Kevcogator

    Thanks for the background and insight. I like this column a lot. The only criticism I would offer at all is that like the judges, you seem hesitant to be critical of the contestants. Honestly, some are better, some are worse, some have good weeks and some bad. It shouldn’t become personal to say that somebody chose their song poorly, or had an off performance.

  • lah

    Durbin shold leave. He hasn’t sung one song yet without pitch problems. Even the song last night which is a signature song for him. You would think that he could finally sing it right. None of these contestants gets me excited. I don’t wait with any kind of anticipation to see what they will sing or do next. Dull!

    • MIKe

      Durbins the best thing going on AI. I hope he wins.

  • Teala

    Scotty is a natural preformer. Every time he sings he brings the whole audience alive.

  • Jeff F

    Scotty stunk last night.

    I live near Scotty’s hometown and I’m a big supporter, but without the votes of the teenage girls I think he’d be in trouble.

    • Hilda

      How can you say that Jeff? Scotty has a unique voice. I bought three of his recordings along with three from Casey. Now it’s the time go bet them, when the music does not drown out their voices. Scotty smells like a Rose!

  • coranana

    Casey Abrams is an unbelievable talent. Only 1 or 2 Idol winners have moved on to any success. Casey is multi-talented and so unique. He will move on to much success whether he wins or not. Pia looks good but is boring.

    • Gran in Can

      I have said it many times before: “Pia is boring”. Casey the most talented. I love his selection of songs and have bought most of them.
      Fan In Canada

  • Peggy Sue

    REading these comments, I realize that everyone has completely different opinions about every single top 9 contestant! The truth is they are all good in their own right, but different contestant appeal to different voters. It’s great that we have such a diverse group this year – no easy winners, no one who is a definite front runner.

  • sunny

    Lauren, Lauren, Lauren you thought you could outsing Kelly? You really are too young to be on this show right now!!!

    • Aly

      Where did you get that? Sounds more like she was psyching herself out than anything.

  • Roberta

    I agree on Pia! She is amazing, superb voice,she has beauty and style to match! She is coming out of her shell and she needs to work on her stage performance but that will come with time! Carrie Underwood looked like little country girl with NO stage presence when she was on Idol but look at her now! Same goes for Leona Lewis – if you think Pia is boring you should see Leona during X Factor! She looked so awkward and dull! But she is so much more confidant now, a real diva!
    I think Pia is putting to much pressure on herself and that`s why she needs more of these up tempo songs to help her relax!

    • A

      Zzzzzzzzz

  • seattlejohn

    what was the other Joplin song Haley wanted to do? and who was the featured guitarist (Tony?)that was on stage much of the time?

  • wg

    Interesting to hear that Scotty’s mic-holding is now an intentional choice. I’d wondered if it was just a bad habit he couldn’t break. Like the sideways leaning thing. I find Paul’s onstage awkwardness endearing, but since I expect Scotty to be a major superstar, I would like him to get a little more polished and right now the mic thing and the leaning and head-tilting seems kitschy and cheesy rather than cute. But he’s still gonna be a mega-star.

    • WTF?

      Dream on. There’s been two mega stars born from the last nine seasons of Idol. Scotty won’t be on that list.

      • nevada01

        I’d say at least 3: Kelly Clarkson, Carrie Underwood, and Jennifer Hudson. One could make an argument for Chris Daughtry and Fantasia as well.
        At least 2 others have the potential to be big stars: David Cook & Adam Lambert. We’ll see what the future holds for their second albums.
        Many others have made decent careers for themselves: Jordin Sparks, Katharine McPhee, David Archuleta, Constantine Maroulis, Diana DeGarmo, Clay Aiken, and so on. They may not all be superstars but at least they are making a living performing and not flipping burgers.

    • dj

      Ditto! I find Paul’s onstage persona very endearing.

  • Deborah

    Can’t wait for Pia to go home. I think a male will win this year and she will be the last female to go home….Go COUNTRY

  • Vighorois

    Imitation isn’t always the Best Form of Flattery. Just ask Rebecca Black. Scott McCreepy’s tone reminds me of used car salesmen. Greasy and full of cliches.

Page: 1 2
Add your comment
The rules: Keep it clean, and stay on the subject - or we may delete your comment. If you see inappropriate language, e-mail us. An asterisk (*) indicates a required field.

When you click on the "Post Comment" button above to submit your comments, you are indicating your acceptance of and are agreeing to the Terms of Service. You can also read our Privacy Policy.

Latest Videos

Advertisement

From Our Partners

TV Recaps

Powered by WordPress.com VIP