Natalie Portman is everywhere right now. Just a week after winning a Golden Globe for her soul-baring, body-punishing, Mila Kunis-kissing performance in Black Swan, Portman is headlining the change-of-pace romantic comedy No Strings Attached. That’s just one of the five movies she’ll appear in this year. Portman’s also newly engaged and pregnant with her first child. What better time to look back at where it all began? Portman’s first movie was The Professional, in which an emotionally detached hitman meets a chain-smoking orphan who becomes his companion, his student, and his unrequited love. It’s a plotline that could seem icky — Lolita with a sniper rifle — but great performances by Jean Reno and Portman make The Professional (also known by its international title, Leon) into a uniquely tenderhearted thriller.
Keith Staskiewicz: Before he started producing all those English-language, Euro-financed, An American in Paris Shoots People movies, Luc Besson was quite the rising star. La Femme Nikita would spawn two TV shows and a remake, but it was The Professional that brought him into the mainstream. It’s a fascinating movie. It exists in this Bizarro-New York that doesn’t ever feel like real New York. Instead, it’s some strange fairy tale idealization of the city as it existed in the ’70s or ’80s.
Darren Franich: It reminded me a little bit of the snow-globe Manhattan of The Royal Tenenbaums, right down to Besson’s preference for Andersonian wide-angle lenses. I love how, in The Professional‘s New York, no one can ever hear anything through the walls of an apartment building. A bomb can go off in the apartment next door, and nobody notices. READ FULL STORY »