Yesterday saw the DVD release of one of my favorite films from the last couple of years: Best Worst Movie. This hilarious documentary traces the bizarre production of the tremendously terrible 1990 horror film Troll 2—an unofficial sequel made by Italians in Utah without the benefit of either a decent budget or a decent interpreter—and the worldwide cult that has grown up around it. The phrase “so-bad-it’s-good” gets bandied around a lot, but Troll 2 really is a tremendous piece of cinematic crud that continues to bring the ill-conceived crazy right until the closing credits. Personally, I think it more than deserves the title of Best Worst Movie, although I’m aware that competition for that title is surprisingly fierce. Were I to throw a rock at an EW editorial meeting, for example, there is a fair chance it would hit a fan of Showgirls. Meanwhile, the folks over at It’s Always Sunny in Philadelphia seem to have a deserved soft spot for Tommy Wiseau’s infamous The Room, which they lampooned in a (sexually explicit) fashion only last week.
What about you? Which reviled Hollywood atrocity has wormed its way into your heart? Gigli? Battlefield Earth? Manos: The Hands of Fate? Plan 9 from Outer Space? Caligula? Howard the Duck? Catwoman? Glitter? From Justin to Kelly? Freddy Got Fingered?
Let us know!
You can check out the trailers for both Best Worst Movie and Troll 2 after the jump. READ FULL STORY »


As we prepare ourselves for Friday’s opening of Harry Potter and the Deathly Hallows–Part 1, EW continues looking back at the making of the film franchise. Today, let’s take a close look at the fourth entry: Harry Potter and the Goblet of Fire. Goblet was always going to be a nightmare to adapt. J.K. Rowling’s fourth Potter tome is 300 pages longer than Book 3, and over twice as long as Sorcerer’s Stone. It begins with an extended prologue at the Quidditch World Cup, and then the overstuffed plot kicks into high gear when the Tri-wizard tournament begins. There’s mermaids, dragons, Bulgarians, teeny-bopper romance (complete with a prom-like wizards’ Yule Ball), an encroaching sense of paranoia, and the first full appearance by Voldemort. In Goblet of Fire, Rowling was in full-tilt worldbuilding mode, revealing more elements of her magical Potterverse than ever before. “It’s fiendishly intricate,” screenwriter Steve Kloves told EW’s Jeff Jensen in the 










