Image Credit: Insidefoto/PR PhotosRyan Murphy, most recently of Glee and Eat Pray Love fame, is teaming up with 24 producer Howard Gordon for “a high-concept character-driven procedural that deals with making people face their worst fears and phobias,” according to Deadline. The show will also have “supernatural” elements.
This is my big wish for this show: That Fox pick it up as a one-season-only series. Did 24 ever get better than its first season? Hell to the no. Nip/Tuck started strong and had a decent enough second season, but then it fizzled and started repeating itself at every possible juncture. (How many serial killers can one show that’s not really about serial killers have? Way too many.) Popular was showing signs of strain when it got canceled. Glee has an incredibly tough task ahead of it, especially given that even the first season got a little repetitive. (Sue is mean…but deep down, she is okay!)
And yet these are fantastic shows. Fascinating, titillating, exciting, distinctive — hooray for everything. Image all the goodness of these shows jam-packed into 22 episodes; imagine a creative endeavor that never had to “top” itself to stay relevant; imagine it is about a supernatural phobia-curer. Kinda great, right?
Who’s with me, PopWatchers? I’ll probably wind up watching this show no matter what, but a girl can dream, right?







Sure, he was dating Madonna, but Warren Beatty’s life wasn’t perfect. The year was 1990. Beatty was coming off of Ishtar, a mega-flop and a rare misstep in a glorious career. The famous ladies’ man was still the portrait of Hollywood glamour — again, dating Madonna — but before Ishtar, he hadn’t made a film since 1981′s epic Reds. He turned to a curious labor of love: an adaptation of Dick Tracy, a 60-year-old comic strip about a lantern-jawed detective who fights magnificently ugly criminals. The timing was perfect: Tim Burton’s Batman came out the year before Tracy, and set a gold standard for comic book adaptations, merchandising, blockbuster promotion, and generally making a boatload of money off of comic-based movie with a tweaked approach to set design. Lest you doubt the connection, the two movies share a nearly identical Danny Elfman score. (Seriously, the dude just Xeroxed his Batman sheet music and made a couple changes.) With all this in mind, and in honor of this week’s release of two other movies directed by actors (Ben Affleck’s The Town and Philip Seymour Hoffman’s Jack Goes Boating), we discuss that crime-busting, yellow-coated man with the two-way radio watch, Dick Tracy.







