Image Credit: Sylvain Gaboury/PR Photos; Bob Charlotte/PR Photos; Janet Mayer/PR PhotosBig-time movie actresses have been defecting to television for years now for one reason: because it offers juicier female roles. See: Glenn Close, Mary Louise Parker, Holly Hunter, Toni Collette, Kyra Sedgwick, Sally Field, Jada Pinkett Smith, Kathy Bates, Sissy Spacek, and, in the near future, Laura Linney (Showtime’s The Big C, premiering next month) and Diane Keaton (HBO’s Tilda, now in the pilot stages). The exodus first began with Sedgwick, Close, and Hunter thanks to sheer mathematics: An astronomical increase in original series on cable meant more roles, period, so chances were some of them would be interesting women. And established actresses, bored with the limited girlfriend-mom-grandma career trajectory in movies, gravitated to the antiheroines — drug-dealing moms, boozing cops, schizophrenics — that TV scripts were featuring. For actresses, especially those of a certain age (i.e. those lost in mom/grandma territory), the multi-dimensional ladies populating the small screen represented salvation. Essentially, Glenn Close signing on to star in Damages was as much about movies ignoring and insulting women for too long as it was about TV gaining respect as a medium.
Now that HBO has picked up the Dustin Hoffman pilot Luck to become a series, however, the current has officially shifted: Cable TV has arrived as a destination for the highest-caliber male actors as well. READ FULL STORY »