Archive: March 2010 (321-330 of 604)

Mar 14 2010 01:26 PM ET

Happy Pi Day! 3.14 reasons to celebrate

Categories: Geekery

Today is March 14, which means one thing: It’s Pi Day! (For those of us who slept through math, pi = 3.14 = March 14) To celebrate, I thought we’d break out the number’s 3.14 greatest pop culture moments:

1. The Net (1995)
This cyberthriller starred a young Sandra Bullock as a computer geek who stumbles onto some amazingly vague internet conspiracy — one that she unlocks by clicking on a mysterious “pi” symbol on her computer screen. Nowadays, the scariest part of the movie is the fact that I actually remember when 2 MB floppy disks were considered cutting edge. Yikes.

2. “Pi” by Kate Bush (2005)
How many other mathematical constants have their own theme song? (In your dreams, Khinchin’s.)

3. Pi (1998)
Filmmaker Darren Aronofsky (The Wrestler) became the toast of the independent film world (and the bane of copy editors everywhere) when he chose the symbol as the title of his debut thriller.

And what about that extra .14? We’ll leave that up to you, readers. Tell us your favorite pop culture pi moments in the comments!

Mar 14 2010 12:00 PM ET

'The Antonio Treatment': Yet another addictive HGTV show?

I am addicted to HGTV, which is strange considering I don’t have a bathroom that needs to be remodeled, my 18th floor apartment doesn’t have a backyard to landscape, and I’m certainly not looking for a second home in some far-off land (as awesome as that would be). But despite the fact that I’m not the target audience, I often find myself getting sucked into marathons of House Hunters or watching in awe as David Bromstad does his thing on Color Splash.

I’m not the only one. HGTV has some sort of allure to it, because I have several friends (not to mention my mom and dad) who also are hooked. There’s just something about seeing a home go from drab to fab that’s utterly fascinating.

Now, there’s another potentially addictive show to add to the roster.

The Antonio Treatment premieres tonight at 10 p.m. with back-to-back episodes. Starring last season’s Design Star winner Antonio Ballatore, the series will show Antonio and his crew transform dull homes, offices and more into original yet practical spaces. In the premiere episodes, Antonio will turn a family room into a functional workspace for a deaf man and his wife, and will follow that up by re-doing Mario Lopez’s gym.

For those who don’t know him, Antonio is ever-so-slightly controversial, due to the fact that he doesn’t fit the mold of what most people expect a designer to look like Tattoos! His clothes don’t match! He also edged out Design Star fan favorite Dan Vickery, whose work was much more subdued and less in-your-face. Obviously the Design Star judges loved him, but we’ll have to wait and see if viewers warm up to this unconventional designer.

Here’s Antonio:

So, will you tune into watch The Antonio Treatment? Do you also find yourself losing weekends under the spell of Candice Olson on Divine Design?

Mar 14 2010 11:15 AM ET

Dakota Fanning: The red carpet's next big thing?

dakota-fanningImage Credit: Kyle Rover/startraksphoto.comI totally agreed with my colleague, Tim Stack, when he predicted Avatar star Zoë Saldana would be this year’s most promising fashionista. That was then, when she wore that magnificent Roland Mouret gown to her film’s London premiere. But after two extremely disappointing turns, first at the Golden Globes and more recently at the Oscars, where she wore her atrocious pom-pom confection, I’ve all but lost total faith in the actress’ taste. Why she thought wearing a tattered crimson quilt and a costume borrowed from the Moulin Rouge to two of this season’s most prestigious red-carpet events is beyond me.

But just as I was about to lose all hope, Dakota Fanning stepped out in this stylish sequined Valentino mini (left) at The Runaways premiere this past Thursday in L.A., and it worked on so many levels: her age, frame, the event, and so on.

The 16-year-old star is no one-trick pony, though. Fanning brought it just as fiercely to New Moon‘s L.A. premiere last November in a playful lace Valentino mini and I-want-them-now heels. She even knows how to make nude tones work on her porcelain skin, as we saw at last year’s NAACP Awards. Seriously, can this girl do no wrong? I’m anticipating some lovely summery frocks for this summer’s Eclipse premiere.

Dakota, I dub thee my new red carpet style crush. What do you guys think? As a disclaimer, I’m totally on board the Lea Michele-style icon-to-be train, but what movie actress should inherit the fashion throne? Sound off below!

Mar 14 2010 10:36 AM ET

SXSW Film Festival: 'Barry Munday' and the legend of Judy Greer

judy_greerImage Credit: Photopro/Landov The biggest delight of Day 2 of the Austin-based film festival was the world premiere of Barry Munday, director Chris D’Arienzo’s big-hearted debut about a rugby-wearing, boob-leering office drone who loses his testicles in a freak accident. Stay with me, people! Barry, played with great oafishness by Patrick Wilson, is a character straight out of the cult hit Office Space. He hits on women relentlessly, he loves a good Chili’s happy hour, he sings in the shower about how awesome he is. But in Wilson’s good hands, Barry is a recognizable and even endearing nitwit without being reduced to easy caricature. Barry loses his balls early on in the film, but soon finds out that a former one-night stand is knocked up with his kid. The woman with the bulging belly, whose face Barry can’t remember, is played by the marvelous Judy Greer.

The movie, which will draw inevitable comparisons to Knocked Up, is a surprisingly wistful and winning ode to growing up and finding one’s place in the world. What really made me want to stand up and cheer, though, was the sight of my beloved Greer getting a shot at material that required more from her than playing the plucky best friend. Here, Greer gets to play the woman at the heart of the story. Her Ginger Farley, a woman used to being overlooked by her family members and co-workers and men at large, is at once prickly and soulful. She gets to flex muscles — comedic and romantic — that have gone underutilized for too long. It’s always a treat to see a treasured character actor take on a starring role. In Barry Munday, a film in need of a worthy distributor, Greer proves once and for all that she deserves much, much more than stock supporting roles.

Who out there is a Judy Greer fan? What’s your favorite role of hers? (Kitty in Arrested Development? Back-stabbing Lucy in 13 Going on 30?) What other character actors would you love to see get a great starring role? Does Barry Munday look like a film for you?

Mar 13 2010 01:30 PM ET

Jimmy Kimmel's Handsome Men's Club sketch reairs tonight!

The Handsome Men’s Club sketch from Jimmy Kimmel Live! is like the gift that keeps of giving. For those who missed it, you can check out the re-airing of this hilarious bit — along with Kimmel’s entire post-Oscars special — tonight at 10 p.m. EST on ABC. To prep you for what you’ll catch tonight, check out the blooper reel Kimmel unveiled on his show this week.

Which do you think is funnier? The original or the outtakes?

Mar 13 2010 10:35 AM ET

SXSW Film Festival: 'Kick-Ass' premiere, 'Predators' first look

Kick-Ass-movieThe line of movie geeks eager to celebrate Friday’s opening night of Austin’s SXSW film festival coiled around the grand Paramount theater. The draw was the world premiere of Kick-Ass (in theaters April 16), Matthew Vaughn’s cheeky take on the superhero movie genre. Based on Mark Millar’s popular comic book series, the film follows a forgettable high school student (played by the endearing relative newcomer Aaron Johnson) who, with the help of a mail-order costume, attempts to transform himself into a real-life superhero. The very sight of Christopher Mintz-Plasse’s name in the opening credits was enough to elicit calls of “McLovin’!” from the audience. But he in fact sheds some of that exaggerated doofus-cool here, playing an interesting, isolated son of a villainous mobster.

Without knowledge of the comic book, you might think going in that you’re sitting down to a genial movie about high school boys. But the very best of the film belongs to Nicolas Cage, a heroic vigilante out to bring down a mobster, and his highly trained, knife-wielding, wig-wearing 11-year-old daughter. The audience hooted and hollered during all of the kinetic fight scenes with Hit-Girl (played by the thoroughly convincing Chloe Moretz), but the biggest laughs were earned by Cage. His performance is so fun, ridiculous without being hammy, wistful without a touch of melodrama, that it manages to wipe clean the past few years of goofball work. The Austin audience loved Kick-Ass. I was reminded that I f***ing love Nicolas Cage.

READ FULL STORY »

Mar 13 2010 09:35 AM ET

This Week on Stage: 'Phantom' sequel 'Love Never Dies' fails to haunt

Image credit: Catherine Ashmore

This week saw the London opening of Love Never Dies, Andrew Lloyd Webber’s eagerly awaited sequel to The Phantom of the Opera. EW’s Mark Shenton described the show as “frequently clunky and clumsy,” with a score “that seems like a rehashed parade of pastiche and throbbing crashing-chord melodies.” (He gives it a C.) Back in New York City, a new musical by John Kander and Frank Ebb (the renowned composer and lyricist of classics such as Chicago and Cabaret) opened Off Broadway: The Scottsboro Boys depicts the true story of nine African Americans falsely convicted of raping two white women. I wrote that despite its “memorably melodic score,” the grade-B show “never manages to make its nominal heroes stand out as individuals.” Tanner Stransky gave a B- to the tangled family drama When the Rain Stops Falling, playing Off Broadway at Lincoln Center Theatre.

Happily, one new show earned an unequivocal rave: Melissa Rose Bernardo gave an A- to Next Fall, a drama that opened on Broadway this week after a successful Off Broadway run last year. Geoffrey Nauffts’ “quietly daring” first play deals with hot-button issues like homosexuality, religion, divorce, drugs, and bigotry, but Bernardo writes, “Faith, in its various permutations, becomes almost another character in the play.”

If you’re looking for some live theater, check out the EW.com Stage hub for up-to-date news and reviews; or consult this handy guide below, which includes links to all of our stage reviews of current shows. (Note: The reviews are typically of the show’s original casts.)

BROADWAY

The Addams Family — Musical; opens 4/8/2010

All About Me —– Musical Revue starring Dame Edna and Michael Feinstein; opens 3/18/10

American Idiot — Musical; opens 4/20/2010

A Behanding in Spokane — Comedy starring Christopher Walken; opened 3/4/10; EW grade: B+

Billy Elliot — Musical; opened 11/13/08; EW grade: B+

La Cage Aux Folles — Musical Revival starring Kelsey Grammer; opens 4/18/10

Chicago — Musical Revival; opened 11/14/1996; EW grade: A+ READ FULL STORY »

Mar 13 2010 09:30 AM ET

'Remember Me' twist ending: What did you think?

remember-meImage Credit: Myles AronowitzIn case you haven’t heard, there’s a twist at the end of the new Robert Pattinson movie, Remember Me. A big twist. The kind that makes half the people in the theater go “Wha…?” in unison the moment it hits. Plenty of bloggers have already gone down spoiler road, so we won’t even bother here. Suffice it to say, the last 10 minutes of the story are likely to color your feelings about everything that happened before it. Personally, I thought the movie didn’t need the twist — they could’ve run the credits 10 minutes earlier and I would’ve come out feeling about the same. But I’m betting not everyone agrees with me, right? So let’s get a quick show of hands:

More Remember Me on EW’s Movie Critics blog:
Remember Me twist: How soon is too soon to write about it?

Mar 13 2010 02:00 AM ET

'Caprica' Recap: My brain hurts so good

Categories: Caprica, TV Recap

Caprica-MemoryImage Credit: Eike Schroter/SyfyI try not to talk too much about Battlestar Galactica in these recaps. I feel that I’d be doing Caprica a bit of a disservice; this new show is still barely half a season old, while BSG exists now as a complete story, in 75 chapters (plus webisodes.) Moreover, since Caprica is a spin-off and a prequel, there’s always the danger that a comparison would just lead us down rhetorical dead ends. I like Caprica for what it is: the weirdest, smartest, and most consistently surprising show on TV.

How surprising? Last night’s episode was titled “The Imperfections of Memory,” which sounds like a college textbook for Psych 101, or maybe a fake textbook in a Borges short story. Viewers, I thought the first half of last night’s episode was the worst we’ve seen of Caprica yet. There was the arrival of an imaginary dead brother, and the counterbalancing descent of Amanda Graystone into a depressive ennui that’s beginning to feel like self-parody. There was Tad Thorean, overexplaining everything about New Cap City in case we didn’t get it the first five times. There was Zoe on a Viper date with her darling Philo, in a special-effects sequence so non sequitur and awful that I could swear the writers overheard some BSG fans who were missing all those old Viper fights and decided, in a fit of pique, to throw a couple of Vipers in their faces. READ FULL STORY »

Mar 12 2010 08:04 PM ET

'Community' recap: That'll do, that'll do

communityAs pleasant as a midsummer’s breeze, last night’s Community was a soothing affair with a number of cleverly written zingers. If the episode’s story lines didn’t quite work (especially with regard to Britta’s foolhardy determination to please Troy’s grandmother), the show compensated with some mighty fine dialogue — lines that I laughed at initially and then laughed again once I wrote them down. And Katharine McPhee displayed surprising naturalism, despite her dyed-blond hair. The character of Amber, Pierce’s grifting ex-stepdaughter, isn’t somebody your neurons will remember one week from now, but McPhee allowed the character to become more than just a celebrity cameo. There was a believable, if short-lived, spark between Joel McHale and McPhee, and the latter managed to reveal Amber’s crooked personality while hiding behind a mischievous smile, which made her all the more contemptible (as intended).

No, “Basic Genealogy” didn’t match last week’s resplendent display of bare billiards, but it eased this tired mind after a long day of stress, and for that it should be thanked (and in case you haven’t heard, NBC has rewarded Community by picking it up for a second season). Right on cue, the episode’s six best moments: READ FULL STORY »

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