This new commercial for Glee‘s April 13 return, featuring Lea Michele’s Rachel belting out a Broadway-flavored version of “Like a Prayer,” presumably from the upcoming all-Madonna episode, gives a little taste of everything I love about the girl. Michele’s huge voice, born-to-be-on-stage persona, adorable comedic half-smile, and smokin’ hot, half-size-too-small school girl sweater dress all serve as reminders that she alone is reason enough to for me to keep watching Glee. (And yes, the sprinkling of awesome Sue Sylvesterisms certainly adds to the allure.) READ FULL STORY »
Archive: March 2010 (141-150 of 604)
New 'Glee' commercial featuring 'Like a Prayer': Lea Michele = smokin'
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'16 and Pregnant' recap: Scare tactics
Image Credit: MTVLike many of you have been saying over the past few weeks, 16 and Pregnant is the perfect form of sex education for teens. Of all the episodes, last night’s is an absolutely perfect one to screen for high school health classes for one reason only: the awful, cringe-worthy birth scene.
But before we get to that, a little about the episode. The teen couple featured in this episode was Samantha and her one-year-older boyfriend Eric. Compared to the other couples we’ve seen on the series (and the ones we saw in the preview for next week’s episode), the pair was relatively well-adjusted and treated each other decently. Their relationship seemed to have only minor issues compared to the strained relations between the teens’ parents — in fact, most of the first half was dedicated to explaining the ongoing feud between the teens’ mothers. READ FULL STORY »
'Glee': New Sue's Corner takes on 'Sneaky Gays'
Image Credit: FoxThe Glee promo machine is in full swing, and we’re all for it if it means giving us more Sue Sylvester (Jane Lynch). After the jump, her latest Sue’s Corner, in which she speaks out about “Sneaky Gays,” men who, unlike Liberace and Oscar Wilde, are not “so flaming they can be seen from space.” READ FULL STORY »
Justin Bieber: Watching him dry his hair is hypnotic
I’ve been doing a pretty good job of avoiding learning much about Justin Bieber. But I finally broke down and skipped through MTV’s sneak peek at The Diary of Justin Bieber premiering this Sunday. He talks about love, makes a legitimately amazing shot while playing basketball, sings some, name drops Leonardo da Vinci, and blah, blah, blah. My favorite part happens when he dries his hair. There’s a lot of violent head shaking. I watched for a full minute before the scene abruptly cut. I want to know what happens next. Does he really not use product?
My second favorite part: When he sings “Skidamarink” and skips on his way to McDonald’s. Watch the clips after the jump. READ FULL STORY »
Old-school instant film for Polaroid cameras is back: What was your best photo?
Nostalgic news of the day: That Polaroid instant camera your parents gave you for your seventh birthday might not be as obsolete as you thought. If you haven’t gone off and sold it on ebay yet (Yea, I suck…), the Impossible Project has re-created the film used in the thought-to-be-useless machines. The film goes on sale starting Thursday, and I’m elated. I plan on stealing my sister’s camera and claiming it was mine all along. (Shhhh, don’t tell.)
I have to say that I was quite the master with these cameras – and not in a hipster way. I was seven years old, and the days of using the eventually rare instant film to take photos of Converse sneakers arranged in a circle would come many years later. The instant photos I took as a youngster had child-like innocence sometimes lost in this digital age. My best and still-favorite picture? Teenage Mutant Ninja Turtles‘ Michelangelo and Leonardo in a ”class photo” with Gizmo (Gremlins), Kermit the Frog (as seen in promo below), and three characters from Baby Looney Tunes. Now if only I hadn’t sold my childhood…
Don’t get me wrong; digital is great. It’s convenient and cheap. (Unlike the reinvented film, which will produce eight black-and-white photos for $21.) But delete buttons have killed the candid past. You forget about a deleted digital photo three seconds after sending it to the pixel graveyard, but slicing through a memory with a pair of scissors is much harder – you really have to want that sucker gone forever. That said: Welcome back, instant film!
Now, tell me, PopWatchers: Are you going to shell out the cash for a chance to use your clunky clicker again? Are you going to wait and buy Polaroid’s new instant film camera later this year? And (most importantly) what was your best novice Polaroid picture?
Akira Kurosawa's centennial birthday: Celebrating a cinema giant
The word “epic” existed before he ever shot an inch of film, but no other director ever embodied that word as much as Akira Kurosawa. Today would have been the Japanese director’s 100th birthday, so it seems fitting to take a step back and show our appreciation.
Kurosawa, who passed away in 1998 at the ripe old age of 88, made films spanning six decades. But his movies — like Rashomon, Seven Samurai, and Throne of Blood — often found their setting in the age of code-abiding samurais and feuding feudal lords. Kurosawa was the first to admit that he often found inspiration by looking west to the works of Shakespeare, but filmmakers as far west as Hollywood often found themselves looking back at him and cribbing an idea or two, like in The Magnificent Seven. Even Clint Eastwood’s breakthrough performance (in Sergio Leone’s A Fistful of Dollars) was a riff on Kurosawa’s Yojimbo. None other than Martin Scorsese called him “my master.”
If you’ve never seen a Kurosawa film, you’re in for a treat. His landscapes were as expansive and picturesque as any John Ford western. And, especially in later films like Ran, his colors were as vivid as Technicolor itself.
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