Archive: March 2010 (141-150 of 604)

Mar 24 2010 08:52 AM ET

New 'Glee' commercial featuring 'Like a Prayer': Lea Michele = smokin'

Filed under: Glee, Television and tagged: , , , ,

This new commercial for Glee‘s April 13 return, featuring Lea Michele’s Rachel belting out a Broadway-flavored version of “Like a Prayer,” presumably from the upcoming all-Madonna episode, gives a little taste of everything I love about the girl. Michele’s huge voice, born-to-be-on-stage persona, adorable comedic half-smile, and smokin’ hot, half-size-too-small school girl sweater dress all serve as reminders that she alone is reason enough to for me to keep watching Glee. (And yes, the sprinkling of awesome Sue Sylvesterisms certainly adds to the allure.) READ FULL STORY »

Mar 24 2010 06:42 AM ET

'American Idol': On the scene for Top 11 'performance' night

Idol-SiobhanImage Credit: Michael Becker/Fox“I don’t get the song choices tonight. I really don’t.” – Ellen Degeneres

Your Aunt Whittlz took her first steps into Idoldome Oh-Ten this afternoon with what could tentatively be termed optimism, PopWatchers. I have learned my lesson after yea these many years of writing blogs on this here website: You commenters can be tough, but you are never more cutting than when the author expresses a certain weary disdain for the subject at hand. New Season, New Attitude! was my TLC-reality-show-style motto today, fueled by the gorgeous L.A. weather and a meeting we had with the editors earlier in the year where they told us to stop writing so much about the damn Idol live broadcasts and just focus on what the people at home didn’t see on TV, because there’s no reason why anyone other than Slezak should have his personal life ruined enhanced by this travesty. I was going to get in, get out, write short, and then catch up on last week’s Lost, which I missed thanks to my annual trip to SXSW.

But you know, Idol is a cruel mistress. And because I feel confident that America got to see the full brunt of the heinocity they hath wrought on stage tonight, I’m sure you won’t mind when I answer my colleague Mandi Bierly’s rhetorical tweet question, “Worst night of Idol ever?” with a hearty “Probably, but how can you even tell anymore?”

Great job, speed-dialing Americans. We now get to spend the next 10 weeks with these yahoos. Hollywood, are you ready to make some noise? READ FULL STORY »

Mar 24 2010 06:32 AM ET

'16 and Pregnant' recap: Scare tactics

16-and-pregnantImage Credit: MTVLike many of you have been saying over the past few weeks, 16 and Pregnant is the perfect form of sex education for teens. Of all the episodes, last night’s is an absolutely perfect one to screen for high school health classes for one reason only: the awful, cringe-worthy birth scene.

But before we get to that, a little about the episode. The teen couple featured in this episode was Samantha and her one-year-older boyfriend Eric. Compared to the other couples we’ve seen on the series (and the ones we saw in the preview for next week’s episode), the pair was relatively well-adjusted and treated each other decently. Their relationship seemed to have only minor issues compared to the strained relations between the teens’ parents — in fact, most of the first half was dedicated to explaining the ongoing feud between the teens’ mothers. READ FULL STORY »

Mar 23 2010 11:18 PM ET

'Glee': New Sue's Corner takes on 'Sneaky Gays'

sneaky-gays-gleeImage Credit: FoxThe Glee promo machine is in full swing, and we’re all for it if it means giving us more Sue Sylvester (Jane Lynch). After the jump, her latest Sue’s Corner, in which she speaks out about “Sneaky Gays,” men who, unlike Liberace and Oscar Wilde, are not “so flaming they can be seen from space.” READ FULL STORY »

Mar 23 2010 10:30 PM ET

Tonight's mythically heavy 'Lost': An all-time classic or just alright? Start debating! (Oh, and SPOILER ALERT!)

Filed under: Lost, Television and tagged: , , ,

It began in the darkest of night, on the shores of a place Richard Alpert called Hell. It ended in daylight, in a lush Edenesque patch of The Island, with the ageless enigma standing underneath the kind of massive tree that can only exist in a land of fantasy or myth, trembling with much fear and a glimmer of hope. In between, we got a story that asked questions that we’ve been asking ab aeterno—”since the beginning.” What is good? What is evil? How do we know the difference? Who knows what is truly best for us? Who should we trust? How do we make moral choices amid such ambiguity? Why must we figure this stuff out on our own? Why don’t the gods of the universe play straight with us? How the flaming hell are we supposed to live like this?

“Ab Aeterno” was a heavy, heady, and surprisingly emotional hour of TV, suffused with Biblical subtext, scribbled with subtitles, and stuffed with answers for the show’s Island mythology, albeit in a fabulistic form requiring careful interpretation and a clarification or two. Or more. In addition to getting a story that revealed how Richard Alpert got to The Island, we got a story that revealed the nature of the relationship between Jacob and The Man In Black, at least as it existed prior to Jacob’s death last season. Indeed, we got the sense that the battle these two angelic/demonic/whatchamacallum entities waged over Alpert’s soul was actually the first phase of Man In Black’s 240 years-in-the-making Smoke-man from Alcatraz escape plan. The episode used a corked bottle of wine as a symbol for Lost cosmology, with The Island playing the role of the stopper that kept something toxic from spilling out and corrupting us all. Of course, that was Jacob’s interpretation. Did you believe him?

“Ab Aeterno” was a big winner in my book. It was definitely the most unusual episode Lost has given us this season. It was technically a flashback story, thanks to the Island-set framing device, but most of it was told in linear fashion. It was definitely not a Sideways episode. (I will pause a microsecond to allow the silly haters to cheer.)  It was also the ninth hour of Lost’s 18-hour final season. We’re halfway to the finish, and the castaways are halfway to home or oblivion. Which one will it be? Right now, I guess it depends on how you view the jug. But let’s crack it open and see if we find clarity. I’ll be back tomorrow morning with full analysis–and I promise a minimum of drunken theorizing this week. (UPDATE: Doc Jensen’s  recap of “Ab Aeterno” is now live.) Besides, I saved all my intoxicated crazyiness for this week’s Totally Lost, in which Dan and I welcome Rebecca Mader, aka Charlotte Lewis, to our little sandbox for an interview, plus some fun and games. And beer.

Mar 23 2010 10:10 PM ET

'American Idol' Top 11: Who was Billboard No. 1-worthy after a 'mentoring' session with Miley Cyrus?

Filed under: American Idol and tagged:

Talk about disappointments! I spent the last 48 hours hoping and praying that Miley Cyrus’ guest appearance on tonight’s American Idol telecast was secretly going to lead to a sing-off between the Hannah Montana star and ousted season 9 hopeful Haeley Vaughn, who clawed her way through “The Climb” during week two of the semifinals. Alas, it didn’t go down that way. No tears. No Haeley. No “Surprise, Miley! You might end up in Wednesday night’s bottom three!” Ah well…a boy can dream.

Instead, we had a standard-operating performance night, focused on the (threadbare) theme of “Songs You’ve Heard Over and Over and Over Again During the Past Eight Seasons.” Okay, I lie. Actually, it was Billboard No. 1s. But seriously, Fox execs, are you purposefully ignoring my suggestions for 18 Awesome New Idol Themes? [WARNING: SPOILERS AHEAD, west coasters!] Not surprisingly, READ FULL STORY »

Mar 23 2010 07:13 PM ET

Werner Herzog as an existential plastic bag. You heard me.

Remember when you watched American Beauty and thought that Wes Bentley’s loner misfit and his filmed encomium to a floating plastic bag were impossibly lame? Well, it turns out that all it needed was a little Werner Herzog. The video was put up on YouTube two weeks ago, but this short film from Ramin Bahrani (Chop Shop, Goodbye Solo) featuring the mad/brilliant German director as the voice of a fluttering bag who sets off to find itself is just too good to miss. There’s just something about Herzog’s ruminating, Teutonic inflections that make everything that much more awesome, in both senses of the word. But what more can you expect from a man who has been shot during an interview, pulled Joaquin Phoenix from a burning car, and hates the French language so much that he almost refused to use it to save his own life. Watch the ecstatically truthful short yourself below:

What do you think? Don’t you want a Werner Herzog setting on your alarm clock so you can wake up to his voice intoning “Wake up! A day ripe with promise stretches out before you, even if you cannot fathom the immensity of your own existence.”

Mar 23 2010 06:27 PM ET

Justin Bieber: Watching him dry his hair is hypnotic

Filed under: Reality TV and tagged: , ,

Justin-Bieber-videoI’ve been doing a pretty good job of avoiding learning much about Justin Bieber. But I finally broke down and skipped through MTV’s sneak peek at The Diary of Justin Bieber premiering this Sunday. He talks about love, makes a legitimately amazing shot while playing basketball, sings some, name drops Leonardo da Vinci, and blah, blah, blah. My favorite part happens when he dries his hair. There’s a lot of violent head shaking. I watched for a full minute before the scene abruptly cut. I want to know what happens next. Does he really not use product?

My second favorite part: When he sings “Skidamarink” and skips on his way to McDonald’s. Watch the clips after the jump. READ FULL STORY »

Mar 23 2010 05:51 PM ET

Old-school instant film for Polaroid cameras is back: What was your best photo?

Nostalgic news of the day: That Polaroid instant camera your parents gave you for your seventh birthday might not be as obsolete as you thought. If you haven’t gone off and sold it on ebay yet (Yea, I suck…), the Impossible Project has re-created the film used in the thought-to-be-useless machines. The film goes on sale starting Thursday, and I’m elated. I plan on stealing my sister’s camera and claiming it was mine all along. (Shhhh, don’t tell.)

I have to say that I was quite the master with these cameras – and not in a hipster way. I was seven years old, and the days of using the eventually rare instant film to take photos of Converse sneakers arranged in a circle would come many years later. The instant photos I took as a youngster had child-like innocence sometimes lost in this digital age. My best and still-favorite picture? Teenage Mutant Ninja Turtles Michelangelo and Leonardo in a ”class photo” with Gizmo (Gremlins), Kermit the Frog (as seen in promo below), and three characters from Baby Looney Tunes. Now if only I hadn’t sold my childhood…

Don’t get me wrong; digital is great. It’s convenient and cheap. (Unlike the reinvented film, which will produce eight black-and-white photos for $21.) But delete buttons have killed the candid past. You forget about a deleted digital photo three seconds after sending it to the pixel graveyard, but slicing through a memory with a pair of scissors is much harder – you really have to want that sucker gone forever. That said: Welcome back, instant film!

Now, tell me, PopWatchers: Are you going to shell out the cash for a chance to use your clunky clicker again? Are you going to wait and buy Polaroid’s new instant film camera later this year? And (most importantly) what was your best novice Polaroid picture?

Mar 23 2010 05:22 PM ET

Akira Kurosawa's centennial birthday: Celebrating a cinema giant

Filed under: Movies and tagged: ,

The word “epic” existed before he ever shot an inch of film, but no other director ever embodied that word as much as Akira Kurosawa. Today would have been the Japanese director’s 100th birthday, so it seems fitting to take a step back and show our appreciation.

Kurosawa, who passed away in 1998 at the ripe old age of 88, made films spanning six decades. But his movies — like Rashomon, Seven Samurai, and Throne of Blood — often found their setting in the age of code-abiding samurais and feuding feudal lords. Kurosawa was the first to admit that he often found inspiration by looking west to the works of Shakespeare, but filmmakers as far west as Hollywood often found themselves looking back at him and cribbing an idea or two, like in The Magnificent Seven. Even Clint Eastwood’s breakthrough performance (in Sergio Leone’s A Fistful of Dollars) was a riff on Kurosawa’s Yojimbo. None other than Martin Scorsese called him “my master.”

If you’ve never seen a Kurosawa film, you’re in for a treat. His landscapes were as expansive and picturesque as any John Ford western. And, especially in later films like Ran, his colors were as vivid as Technicolor itself.

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