Archive: January 2010 (321-330 of 461)

Jan 12 2010 11:00 AM ET

Mel B takes over 'Dance Your Ass Off' - who will miss Marissa Jaret Winokur?

The news has emerged that Mel B is now going to host Dance Your Ass Off, replacing season one host Marissa Jaret Winokur. I know it’s not a case of “heavier host gets pushed aside for nameless skinny host” — Mel B certainly brings star power, Spice Girl fans, and honed dancing skills to the job. But I, for one, will miss seeing Marisa as a great curvy role-model herself in all her fa-fa-fa-fabulous sparkly outfits on the show. Winokur’s rep tells People that it was a mutual decision for her to leave the show — partly because of the format’s lack of interaction with the contestants and partly because of “criticism she received from producers regarding her appearance.” Executive producer Dan Cutforth told People that Mel B was a better fit with Oxygen’s core audience.

So what do you think, should a weight loss dance show have a curvier host or can anyone fat or thin do the job just as well?

Jan 12 2010 10:30 AM ET

'When in Rome': Do you care about the studio behind a film?

Filed under: Movies and tagged: ,

Anyone else surprised to see the new poster for When in Rome, the Kristen Bell-Josh Duhamel rom-com in theaters Jan. 19, touting that it’s “From the studio that brought you The Proposal“? Don’t get me wrong: I liked The Proposal and understand why name-dropping it after the year Sandra Bullock has had could be smart. But real movie fans know that kind of “From the…” tout is typically reserved for directors, producers, and writers — the people who are truly hands-on — not studios that bring you all kinds of films. In the case of Touchstone, the live-action/adult-focused division of Disney, that does include recent well-received romantic comedies such as The Proposal and Sweet Home Alabama, but also titles as varied as Apocalypto, Wild Hogs, Step Up, and 2009′s Surrogates.

Am I being too hard on the marketing team? In its defense, Kristen Bell and Josh Duhamel aren’t A-list stars, the writers are the duo who penned Old Dogs, and saying that the film’s from Mark Steven Johnson, director of Ghost Rider and Elektra, isn’t going to get them much (though, he also wrote Grumpy Old Men, which would’ve worked on me!).

It’s just that by reaching for “the studio that brought you,” they’ve made me more nervous than if they’d just stayed with the innocuous tagline “Did you ever wish for the impossible?”. Discuss.

Jan 12 2010 07:38 AM ET

'Heroes' recap: It's like swimming, but inside out!

Maybe I’ve been wrong about Heroes. All along, I thought the show was supposed to be a serialized science-fiction mytho-pop thriller, one of those post-Lost shows that hurtles a diverse cast of eccentric characters through a morally ambiguous world filled with long-running mysteries and soap opera played like epic melodrama. By that criteria, Heroes has become one of the worst shows on TV. The characters have been shorn of all dimensionality and purpose: it’s often unclear why anyone does anything now. The only real mystery of this season is what, exactly,  Samuel Sullivan is planning to do, and since none of the good guys know what Big Bad’s evil plan is, all of their actions have an airless quality.

And maybe the biggest problem with the show – again, this is working under my assumption that Heroes comes from the same genre as Battlestar Galactica, FlashFoward, Firefly, The 4400, and the Nickelodeon stealth classic The Tomorrow People – is that the characters themselves never really change very much. Our main characters have experienced some wonderful and terrible things, but it never seems to alter them one bit. Sure, nowadays Mohinder can punch through a door, and Ando can fire red lightning out of his fingertips, but they’re still the same old characters, destined (doomed?) to repeat the same old scenarios. Mohinder will accidentally use his science for evil. Ando will help get Hiro out of a jam. And Noah Bennet will have a deeply weird paranoid fixation on the safety of his Claire Bear.

In that sense, last night’s episode was a repetitive snooze. READ FULL STORY »

Jan 12 2010 01:03 AM ET

Chris Harrison blogs 'The Bachelor': season 14, episode 2

It’s been a wild week in Bachelor-ville and we have a lot to discuss, but first let me thank you for making our premiere episode such a huge success.  I would love to talk to you about other stuff this week like Ali’s cool ”Chicago” date or the games Elizabeth’s starting to play but the whole time all you’re doing is staring at the ten-ton pink elephant standing in the middle of the room so let’s just deal with it shall we?  I hope you all had a chance to see for yourself just what happened involving… READ FULL STORY »

Jan 11 2010 10:04 PM ET

'The Bachelor' episode 2: 'It's very awkward'

Filed under: Television and tagged: , ,

Well that’s one word for tonight’s episode, which featured a bachelorette getting the boot for having an “inappropriate relationship” with a “staffer.” Some other adjectives I might use to describe this evening’s installment include “crazy,” “absurd,” “delicious,” “controversial,” “bizarre” — the list goes on and on. It’s impossible to discuss the drama here without venturing into spoiler territory (click over to my full Bachelor recap for all the gory details, and don’t miss the behind-the-scenes story from Chris Harrison in his exclusive PopWatch blog) so I’ll keep it oblique: OMG, WTF? Are you shocked? Angry? Overjoyed? Confused? Suspicious? And how do you think Jake handled the whole debacle? (I have to say, that guy is polite to a fault.) Work through your emotions below.

Jan 11 2010 06:44 PM ET

Taylor Lautner to present at Golden Globes; award show fever officially caught

Today, more presenters at Sunday’s Golden Globes (8 p.m. ET, NBC) were announced — including Taylor Lautner, Amy Poehler, and Josh Brolin. They join a list that already included Christina Aguilera, Jennifer Aniston, Halle Berry, Gerard Butler, Cher, Chace Crawford, Robert De Niro, Cameron Diaz, Leonardo DiCaprio, Colin Farrell, Jodie Foster, Jennifer Garner, Matthew Fox, Mel Gibson, Tom Hanks, Neil Patrick Harris, Nicole Kidman, Sophia Loren, Julia Roberts, Mickey Rourke, Kiefer Sutherland, Kate Winslet and Avatar‘s Sam Worthington. (If you’re wondering why True Blood‘s Alexander Skarsgard is also pictured, it’s because he’s confirmed to attend the ceremony, and that is news enough for me.)

Maybe it’s because we just now firmed up our coverage plans — Annie and I will join EW’s fashion maven Meeta Agrawal on our red carpet live-blog so we can focus on the more important issues Ryan and Giuliana discuss, like how long the limo line was — or because imagining what Ricky Gervais is going to do on live TV, in a room full of boozy celebs, for three hours, is what’s going to get me through the week, but I’m officially ready to roll. Are you?

What’s the one moment you’re most looking forward to, aside from Gervais’ opening? I’m gonna go with (fingers crossed!) a Jane Lynch acceptance speech. Runner-up: Seeing what Cher’s wearing.

More Golden Globes coverage:
EW’s Golden Globes HQ
The TV nominees
The movie nominees
Golden Globe nominations: Who got snubbed?

Photo credit: Lautner: Tina Gill/PR Photos; Skarsgard: Albert L. Ortega/PR Photos; Worthington: David Gabber/PR Photos

Jan 11 2010 06:44 PM ET

Nathan Fillion is 'Super': Hey, you don't need to tell us!

Here at EW we can’t get enough of Nathan Fillion, star of Castle, and one of the nicest people ever to pop into our offices to just say hi (well, okay, to just say hi and pimp his show). Another big Fillion fan is writer-director James Gunn who cast the actor in his wildly underappreciated gorefest Slither and in the fantastic debut edition of his NSFW web series PG Porn (see video after the jump).

It now turns out that Gunn has recruited Fillion for his new movie, Super, a comedic take on the superhero film. The actor joins Rainn Wilson, Ellen Page, Liv Tyler, and Kevin Bacon. In addition, Gunn has cast Linda Cardellini, star of the also wildly underappreciated Grandma’s Boy (her character’s drunken, lewd, rendition of “Push It” is one of the marvels of the modern age — or the age of great dumb comedies anyhoo). READ FULL STORY »

Jan 11 2010 06:08 PM ET

20 Years Ago: MC Hammer drops 'U Can't Touch This'

Tagged: ,

MC-Hammer-1990Image Credit: Bernhard Kuhmstedt/Retna Ltd.

Stop: Hammertime!

On Jan. 13, 1990, MC Hammer released “U Can’t Touch This,” which he’d premiered on The Arsenio Hall Show in late 1989. The good-natured boast, laid over the hook of Rick James’ “Superfreak,” proved irresistible. Hammer’s hydraulic dance moves and outlandish fashions — harem pants and gold lamé, together at last! — were cartoonish, but the song’s overwhelming cultural saturation soon made Please Hammer, Don’t Hurt ‘Em the first rap album to sell 10 million copies. READ FULL STORY »

Jan 11 2010 05:59 PM ET

Please start a sketch comedy renaissance, Dana Carvey and Spike Feresten

Dana Carvey and Spike Feresten are developing a half-hour sketch comedy series for Fox, and I am developing an early obsession with the show. Bring on the revival of sketch! Once upon a time, there were enough sketch shows that we ran round-ups of all of them. Now, well…SNL is still on?

Most comedy nerds today have similar sketch touchstones from the days of yore: The Kids in the Hall, Mr. Show, The State, and, of course, The Dana Carvey Show.

Please let Carvey’s new show be the dawn of a new day in sketch comedy. We’re due. Short segments are our go-to format — hola, viral video potential — and the rules have never been looser when it comes to what viewers expect from network comedies.

I’m weirdly optimistic about this, PopWatchers. Carvey’s a sketch god, and Feresten’s comedy credentials are impeccable (even if his talk show didn’t quite work). On your high-hopes-o-meter, where does this rank?

Jan 11 2010 05:51 PM ET

'American Idol' without Simon Cowell: Three reasons I'm optimistic about the show's future!

This just in: People are running wild in the streets, a chorus of hideous sobs and sirens as their cacophonous soundtrack. Okay, not really. But today’s newsbomb that Simon Cowell will not return to American Idol for its tenth season in 2011 has created tsunami-level waves in the pop-culture watercooler. I mean, heck, even if you’re not an Idoloonie, the fact that the Perennial Ratings Behemoth (TM) is losing its most famous, most polarizing, and most viewer-drawing judge is a big frakin deal, no? But hey, before we all officially declare Jan. 11, 2010 as the day the Idol died, let’s take a big, collective breath because I believe deep in my heart that the show can survive without the V-neck-loving Brit at its table. Consider my top three reasons:

1) Simon’s exit could lead to revamped and reinvigorated audition rounds. Let’s face it: Simon’s role on Idol is never more crucial than during the auditions — when audiences haven’t had time to get attached to any particular contestant(s), and the judges are the true stars of the show. Without Mr. Cranky, these particular episodes would need a drastic reboot — but then again, don’t they need a reboot already? Heading into season 9, is anyone excited about watching/listening to folks with delusions of being the next Kelly Clarkson as they warble their way through the Diane Warren songbook? Imagine this tweak to the formula: For three weeks (down from the typical four), Idol’s Tuesday-Wednesday audition shows could focus only on good-to-great vocalists, and give us a better understanding about which ones get Golden Tickets to Hollywood, and which get express passes to anonymity. Then, Fox runs a trio of special Friday-night episodes devoted to blood-curdlingly awful “singers” dressed in feathers, lycra, and statue-of-liberty crowns. After that, the show expands its always riveting “Hollywood Week” coverage from four episodes to six. That move would reduce the amount of “Which freakin’ holding room contains Leneshe Young!?” confusion. Plus, imagine if it all culminated in a live broadcast during which the judges revealed the season’s top 24 (excruciating live sing-offs included). Yeah, we’d miss us some Simon, but with all that drama and focus on future Carries and ‘Tasias and Cookies, not quite as much, right?

2) Idol‘s producers have never had a better excuse for some wholesale housecleaning behind the judges’ table! READ FULL STORY »

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