Archive: November 2009 (401-410 of 429)

Nov 3 2009 02:18 PM ET

Owen Wilson voicing Marmaduke: [Insert wacky dog pun here]

Marmaduke_lOwen Wilson has been cast to voice Marmaduke in Fox’s CGI/live-action movie adaptation of the comic, according to the Hollywood Reporter. (The dog doesn’t speak in the comic, but perhaps Wilson became an expert barker after working on Marley & Me and will just bow-wow his way through the film? One can hope….) THR says the film will see Marmaduke “navigate a volatile Mutts vs. Pedigrees turf war, woo the purebred of his dreams and overcome a fall from grace.” The star-studded cast also includes Judy Greer, Lee Pace, and William H. Macy as humans, and Fergie, Emma Stone, George Lopez, Christopher Mintz-Plasse, Steve Coogan, Damon Wayans, and Marlon Wayans, who all lend their voices to characters.

A family-friendly movie about a dog with a recognizable cast may attract a decent audience to theaters on a three-day weekend — how many Beethoven movies did they make? — but I wonder just how they’ll do an entire movie based on this 55-year-old single-panel comic.  The comic’s formula seems to be: Big dog + wacky shenanigans = modest smirk. Can that be stretched out to a feature film? Perhaps — especially if modest smirks is all it aims to achieve. I’m skeptical, though, of a project that gets its inspiration from Marmaduke (do you know anyone under age 70 who actually reads it?). Wilson may be the perfect choice to voice the giant, four-legged rascal, but Bill Murray also turned out to be an excellent Garfield, and that still couldn’t save that lifeless CGI/live-action movie (which somehow gave birth to a most unnecessary sequel).

Also, Owen, another dog movie? Marley & Me was fun, if a little trite, but another “fun” dog-centric movie sort of puts you in a box you might not want to be in. Branch out, voice a cat or a chimp or an animated race car, for pete’s sake.

Any PopWatchers stoked to see this one? What are some stars-voicing-animals movies that actually were successful? (I was pretty entranced by Michael J. Fox in Homeward Bound, back in the day.)

Photo Credit: Wilson: Chris Hatcher/PR Photos

Nov 3 2009 01:02 PM ET

'Let the Right One In' remake: Right? Or wrong?

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let-the-right-one-in-remake_lThe American remake of Let the Right One In started production this week, which I knew because I felt a great disturbance in the force. I’m still not convinced the movie needs an American remake — especially one renamed Let Me In, which is not the same — but Richard Jenkins’ presence (as the Håkan character) gives me a sliver of hope. A tiny, tiny sliver.

I was wild about the original film, but I’m skeptical that an American version will tolerate the same level of silence, particularly at the hands of Cloverfield director Matt Reeves. Part of what made the original so evocative was how little the characters said to each other, how much of the development was internal and implied. Are there contemporary American movies that do that? I certainly can’t think of one.

But maybe, maaaaaaybe this will be okay. Again, Jenkins is a major plus, and if they had to re-situate the film on U.S. soil, New Mexico actually seems like an acceptable fit: A lot of the original film’s mood came from the desolate, uniform, minimal surroundings. The crunch of snow underfoot, the wisps of vapor characters’ breath left in the air, the starkness of an iced-over landscape — Oskar and Eli’s environment was not particularly hospitable, which emphasized how isolated and vulnerable the two were. An off-the-beaten-path neighborhood in the Southwest can (I hope!) capture that same feeling of lostness and insignificance that made the original’s setting seem so haunting.

PopWatchers, put me in the skeptical column. Where do you fall on the “hell to the no” to “a thousand times yes” spectrum?

Image credit: McPhee: Karwai Tang/Alpha /Landov; Moretz: Chris Hatcher/PR Photos

Nov 3 2009 12:09 PM ET

'Ally McBeal' reunion on 'GMA': Part 2 talks feminism and Robert Downey Jr.

ally_reunion2Things got slightly juicier during the second day of Good Morning America‘s Ally McBeal reunion after getting through the basics yesterday. Calista Flockhart addressing the “Is Feminism Dead?” Time magazine cover that put her face next to those of Gloria Steinem and Susan B. Anthony: “I think that the point they were trying to make that there wasn’t really a modern feminist woman to look towards. And it, in some way, it was oddly flattering that Ally McBeal was now who we are looking at. However, I also thought: This is a fictional television character, and to compare her with Susan B. Anthony is slightly ludicrous and not really a fair comparison.”

Creator/exec producer David E. Kelley, meanwhile, tackled taking on Robert Downey Jr. — at a time when he was a down-and-out punchline instead of a massive box office star — to in some ways replace the eventually-dead love of Ally’s life, Billy: “Uh, it was pretty difficult. One of the deficits of the great emotional connection between Billy and Ally is: After Billy, then what? And the ‘what’ didn’t come for quite some time until we finally found Robert.” Could’ve used a surprise visit from Downey Jr. to really liven things up, but, hey, we’ll take what we can get.

What did you think, PopWatchers? Did the reunion pique your interest in Ally McBeal again? (If so, you’re in luck! It’s — not so coincidentally — now out on DVD!) Anything you wish they’d covered but didn’t in this all-too-quick reunion?

Nov 3 2009 11:43 AM ET

'Greek' midseason finale: Singing! Dancing! Love! Arson!

I personally went into Greek‘s midseason finale Monday not even caring so much what happened — I just wanted to bask in the glory of Cappie and Casey finally having gotten together. We got to do that for a bit, complete with wonderfully Greekalicious lines. (Casey on continuing to keep their relationship secret: “Yesterday, Ash wanted to know why I have this smile, and I couldn’t think of an excuse, so I told her I was thinking about the rise and fall of Mischa Barton.”) But we also got, OMG, Songfest! How about Ashleigh’s amazing singing voice? And that final Gamma Psi-ass-kicking final dance number to “Good Girls Go Bad”? (Even if it didn’t win against those cheating Gamma Psis …)

READ FULL STORY »

Nov 3 2009 10:10 AM ET

'The Biggest Loser' for the Wii: Hooray for the Balance Board!

the-biggest-loserwii_lThe Biggest Loser has arrived on the Wii. You should be skeptical.  There’s never been a good videogame based on a TV show (the Simpsons arcade game being the grand exception.) And the Wii has a bad habit of attracting overstretched franchises that use Balance Board Compatibility to cover up shoddy animation and repetitive gameplay (Don King Boxing, anybody? Anybody?) Here’s a few things I learned about the game after a week of yoga, core training, and stretching muscles I didn’t know I had:

1: This videogame is specifically designed for people who have never played videogames. When you point the controller at any part of the menu, trainer Bob Harper reads out the menu item and offers some helpful advice (“Hold the Wii controller over the cursor and tap A to scroll to the year of your birth!”) He does this every time, even with menu items you’ve already pointed at. I couldn’t find any way to turn it off. If you’ve been looking for a videogame that’s user-friendly enough for your deaf great-grandma, this is it, assuming that your deaf great-grandma is totally lame. READ FULL STORY »

Nov 3 2009 09:46 AM ET

Colbert Nation becomes official sponsor of U.S. speedskating

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Yes, the Colbert Nation really is stepping in for bankrupt DSB Bank NV as the official sponsor of the U.S. speedskating team just in time to rescue America’s hopes to take home lots of medals winter at the Vancouver Olympics. The sport of Apolo Anton Ohno (the one that doesn’t involve the paso doble) got a boost when Stephen Colbert basically volunteered his own fans on last night’s Colbert Report to back the team, which will apparently wear Colbert Nation logos on their uniforms:

According to the BBC, the sponsorship will rely on Colbert Nation — that is, the show’s viewers — to donate funds to the team, as they have in the past to get NASA treadmills and bald eagles named in their hero’s honor. (The goal: to make up the $300,000 difference left by DSB.) You can donate here.

So what do you think, PopWatchers? How much will you donate to the cause? Will this inspire you to watch more speedskating? Will Colbert reach the $300,000 goal?

Nov 3 2009 09:00 AM ET

Barb from 'Cougar Town': The funniest new character on TV?!

I have a new obsession and her name is Barb. If you haven’t been watching ABC’s new series Cougar Town, then you might not know her but she’s kind of amazing. Played by Carolyn Hennessy (General Hospital), Barb is the ultimate cougar but also an incredible scene-stealer. She usually just has one or two scenes per episode but completely dominates with her campy line delivery; imagine a modern-day version of The Golden Girls‘ Blanche Devereaux. Barb is currently competing with Glee‘s Sue Sylvester (Jane Lynch) as my favorite new character on television. Plus, this has introduced me to the fabulous Hennessy, who I previously missed in classics like 2007′s Cougar Club and 2008′s Boob Jobs & Jesus. Clearly, the producers know that they have gold on their hands because they’ve even given Barb her own online advice series. Behold the glory of Barb below:

Are you a fan of Barb, PopWatchers? Who is your favorite new character on television?

Nov 3 2009 08:34 AM ET

'Heroes' recap: A walk down memory lane

Marc Bernardin was so traumatized by last week’s spooky-scary sorority hazing that he had to take the week off. (That’s completely untrue.) While he’s off, I’ll do my best to guide you through last night’s Heroes, which managed to be the least bad episode of the season so far, but only by turning the clock back to the salad days of late 2006.

Back then, it seemed like Heroes got better, darker, and twistier with every episode. Characters died constantly, and besides Claire, they stayed dead. A cast fatality can make for game-changing plot twist: 24’s season 5 killed off a couple of main characters in the first three minutes, and the result was the show’s best season. Of course, it can also be ruinous: 24’s season 6 off Curtis and half of Los Angeles, and the result was the show’s worst season.

To a certain extent, then, last night’s Heroes was a cowardly embarrassment, an admission that the show needs to revive minor characters from three seasons ago in order to be exciting. But it also felt attuned to the fans in a way that the rest of the season hasn’t. After all, we all want the show to go back to season 1. READ FULL STORY »

Nov 3 2009 06:00 AM ET

'Gossip Girl' recap: Blair dumps Serena -- for good?

Be still, my heart: in a season first, we Gossip Girl fans actually got to see Blair act like an adult (even if it only lasted for a nanosecond). After wiping some celebratory white frosting off her refreshingly unmade-up mug (and more on her face-plant into that congressional confection later), Blair wrapped up tonight’s episode by revealing the root of her anger toward her former BFF Serena;  she doesn’t approve of the way her blonde buddy has been leading her sorry life! First, Serena pulls away from Dan and his clan, and then unexpectedly turns her back on (the highly distrustful) Nate. If that doesn’t take the, um, cake, now Serena’s working for a ruthless publicist who demands her young charge play girlfriend to a boozy actor who dreams of making a Leaving Las Vegas remake opposite Miley Cyrus! C’est terrible!

Fortunately, Serena soon realizes the error of her ways; she pulls out her trusty Sharpee and writes her former boss a big `I quit’ note on the aforementioned actor before sending him on his not-so-merry way. But did she quit in time to save her friendship or this otherwise lousy episode? Tune in next week when we’ll get treated to some sort of slot machine-type threesome! READ FULL STORY »

Nov 3 2009 04:29 AM ET

'This is It': 'I'm happy for Michael' says director Ortega

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This is It director Kenny Ortega told an audience at an Entertainment Weekly event in Los Angeles Monday night that he’s “happy for Michael” that the  film, which opened to $101 million worldwide last weekend, is now the highest grossing concert film in history. “Michael had filmmaking in his future,” Oretga said at EW‘s tribute to the legendary director and choreographer at the Hollywood Roosevelt Hotel. “So I’m just glad that this film—even though he didn’t get to have that experience—has in fact made him a movie star.”

Ortega, who choreographed Dirty Dancing and directed all three High School Musical movies, was rehearsing Jackson’s planned 50-concert event in L.A. last summer when the singer died suddenly. (In the wake of that death, Sony bought the rehearsal footage and Ortega ultimately decided to direct the film.) Ortega, 59, had worked with Jackson in the 1990s and knew the singer well. Speaking to an audience of approximately 200 in the EW lounge — part of this week’s American Film Institute Festival in Hollywood — Ortega gave Jackson credit for helping resurrect the movie musical through his short-film style music videos for songs such as Thriller and Smooth Criminal. “We wouldn’t have movie musicals this day if it wasn’t for Michael Jackson,” Ortega said.

The director also recalled personal memories of Jackson, including that Jackson had two or three personal colognes that he frequently used, and that during rehearsals for This is It, dancers would line up to get hugs from Jackson just because of how good he smelled. One afternoon, when Ortega had been working hard all morning, and was covered in sweat, he went to Jackson’s trailer to talk to him. As Jackson approached Ortega to hug him, Ortega said, “You don’t want to hug me. I’m sweaty. I stink.” Jackson replied, “That’s ok,” whipped out a bottle of his cologne, and spritzed Ortega with it. Ortega smiled at the memory. “That whole rest of the day, everybody just was hugging me and saying ‘You smell like Michael!’” he said.

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