Or at least he’s giving Jon Hamm a run for his hard liquor-soaked money. My sudden and unexpected love for HBO’s Bored To Death has blossomed in the form of a few tiny blond underarm hairs I’ll be letting grow out all season as an homage to Ted Danson’s character, George Christopher (pictured). I currently can’t decide whether my favorite line from last night’s episode, “The Case of the Stolen Skateboard,” was Christopher’s explanation to Jason Schwartzman’s Jonathan that “It’s all organic game — rabbits that have been shot naturally in the woods, that sort of thing” or Christopher’s cry for help during a bout of pre-party paranoia: “Are we too stoned? My feet feel really interesting in my shoes.” READ FULL STORY »
Archive: October 2009 (321-330 of 472)
'Bored to Death': Ted Danson now owns my Sunday night
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Bryan Singer and 'X-Men': You CAN go home again
There’s a German word called schadenfreude, which has no direct translation into English but means something like “taking joy in the misfortune of others.” Now, I’m not saying that’s the Deutch wort that was floating through director Bryan Singer’s head when X-Men: The Last Stand — directed by Brett Ratner, who stepped in after Singer left the X-world he started to make Superman Returns — premiered to scorn from the fan and critical communities, but it’s only human to take a secret joy in getting empirical proof that one is the best at what they do. Especially if what they do is making X-Men movies — and, so we’re all clear, X2: X-Men United is one of the best superhero movies ever made.
So it’s good news that Singer is in talks to return to the world of Wolverine (Hugh Jackman), Professor X (Patrick Stewart), and a bunch of other interchangeable young mutants — I say that because Jean Grey and Scott Summers are dead, and you know Halle Berry isn’t coming back for a fourth attempt at giving an Oscar-worthy standing-in-the-background performance. While I wish Singer had gotten to close out the Dark Phoenix storyline in a manner that didn’t suck, I’m curious to see what he takes on. Will it be the next Wolverine flick? The still-simmering Magneto origin story? X-Men 4 — which, one can only hope, would feature the Hellfire Club (because what everyone needs is more superheroes in corsets)?
Does this bode well for the X-Men franchise? Or would new blood be a good thing?
Photo Credit: Everett Collection
Good 'Hair?' Hardly. How Chris Rock gets it wrong
Chris Rock’s documentary, Good Hair, opened Friday to mixed, but frequently positive, reviews. I’m going to take the painful stance of suggesting that’s because there aren’t a lot of black women in the film reviewing community. Good Hair is often funny, fascinating, and raises a few key ideas. What it doesn’t do is offer a cogent, relevant analysis of why black women relax their hair or wear hair extensions — which was supposed to have been the point.
Some background: Rock says he did the film because his daughter came to him one day, upset, that she didn’t have “good hair.” This apparently prompted the comedian to begin an odyssey that took him from the hair salons of New York City to a hair show in Atlanta, from Indian hair-shaving ceremonies, to the Beverly Hills salons that buy the Indian hair. But in all that conversation what you never hear are opposing viewpoints. Nearly everyone in Chris Rock’s movie seems to agree on a few critical ideas (that can happen when you limit your sample). Frankly, as a black woman, I sat through Good Hair with one dominant thought: Who are these people? Their opinions rarely represented my own, or those of anyone I know. I am but one voice in this vast, complicated community, but I couldn’t live with myself if I didn’t say something. Here, a few of the ways Good Hair gets it entirely wrong.
1. Black women do not want to be white.
Sure, you can find some poor soul who pops up on Oprah with deep-seated issues, but for the most part, black women are perfectly happy being black women. A brief history: The idea of “good hair” is one that, historically, has been fraught with racial stigma. For various reasons, black people who looked whiter, like their slave masters (read: frequently, their fathers) had advantages over those who looked more like their African ancestors. The preference didn’t die after slavery, however, in one sense surviving as the debate over “good hair.” “Good hair” was that which was easy to comb, long, and silky.
Like many cultural idiosyncrasies, the notion of “good hair” never died completely, but there isn’t anyone in the black community today who doesn’t see the term as dated, self-loathing, and patently foolish. There isn’t a black woman I know who sits down in a stylist’s chair to get a relaxer because she, as Rock posits, wants to look white. Not one. I have a relaxer. I have one for the same reason that I don’t wear makeup, don’t have a gym membership, and can usually be found in jeans and a Gap tee—I’m lazy. I like getting out of the house in a reasonable amount of time, and don’t cope well with a lot of hassle over what I consider superficial things. So why bother fighting my naturally nappy hair on a daily basis when every 8-10 weeks I can pay someone else to do it? Which brings me to my second point… READ FULL STORY »
This or That: Promote your ABC show on 'DWTS' or NASCAR?
This is a tough one: If you were starring on an ABC show, like Christian Slater of The Forgotten, would you choose to pimp your drama from a front row seat in the Dancing the Stars ballroom (as Slater did on Oct. 6) or at a NASCAR race broadcast on the network (as he did on Oct. 11 in Fontana, Calif.)?
Plus for DWTS: They’d only make you sit through the results show, not a two-hour performance night.
Plus for NASCAR: After Grand Marshal Kelsey Grammer (of ABC’s Hank) gave the command to start engines, you’d get to drive the 2010 Chevy Camaro Pace Car.
I’d go with NASCAR. Even if I had to wear a hat with my show’s name on it. You?
Photo credit: Stephen Dunn/Getty Images; ABC
'Brothers & Sisters' recap: Life goes on
Last night’s Brothers & Sisters dealt with something you don’t see often on TV: How you tell your loved ones that you have Stage 3 cancer. Kevin found out about Kitty’s illness in the worst possible way — from Travis, who asked him when Robert was holding a press conference so that he could clear the governor’s appearance schedule out of respect. I know that look that actor Matthew Rhys had on his face when he went running to Kitty for answers (watch it below). Seeing Kevin, a character known for his biting humor, scared silent and reverting back to the little brother who needs his big sister to tell him that everything will be okay, was heartbreaking. But I didn’t cry until Kitty opened the door at the end of the episode and Sarah was there. There’s nothing like hugging that person who you trust to be strong for you, who knows exactly how to handle you. For Kitty, that’s Sarah. Not Robert, who wanted her to take part in a clinical trial in Boston for a new drug that would give her a five percent greater chance of living (as well as possible heart damage and an even more compromised immune system) or Nora, who wanted her to stay in California and do the standard chemotherapy cocktail so she’d have her family as a support system.
Are 'Jay Leno Show' troubles good news for scripted TV?
It seemed like a reasonably solid idea when NBC first announced Jay Leno would take over the 10 p.m. slot on its weekday schedules: He’d always been a late-night champ, and the network was struggling for viable, inexpensive programming. And while the move didn’t bode well for broadcast programming as a whole — do the math, and we were losing five hours of prime-time fare — it felt slightly less depressing than seeing some awful low-budget reality shows taking the slot. But now that the ratings have shaken out, down to, well, not much, and better-at-10 shows are either fading (Law & Order: SVU) or dead (Southland), the outlook has darkened for this particular experiment in TV programming, as The New York Times‘ Bill Carter dissects thoroughly in a weekend piece.
There is, however, a sunny side to this: If Leno had succeeded at 10, it could have marked — to be melodramatic — the beginning of the end of network television. As much as rival networks have strutted around gloating that they didn’t have to resort to such drastic measures to fill their schedules, you better believe that if this thing had killed, the likes of Letterman and Kimmel would’ve found themselves preparing for prime time. (And we’ve already lost Saturday nights to mostly repeats, and Fridays could be next if its ratings get any weaker; meanwhile, The CW has given up Sundays.) As it stands, though, networks will have to keep slogging through for good shows instead of just throwing a guy in a suit on at 10 to make us chuckle.
What do you think though, PopWatchers? Do you prefer scripted television at 10 p.m.? Do you wish Leno were doing better? Do his struggles surprise you?
Photo Credit: Justin Lubin/NBC
'Project Runway Talk': Epperson dishes on dubious judging ... and Lindsay Lohan!
Glug, glug, glug. Yep, I’m still trying to drink my pain away over last night’s stupid evil moronic maddening ouster of Epperson on Project Runway. Luckily, Dalton Ross was game for a little imbibing as well. So this morning, we threw our very own Oktoberfest in his office. And just as we were filling our beer steins to the brim, who should pop by but the classy, gentlemanly, and (who knew?) funny Epperson. Check out what the terrifically talented designer had to say about his elimination, this season’s ridonkulous judging, and how he might have brought more of the catty, had he known that’s how Runway rolls. Prost!
'Survivor Talk': Yasmin dishes on her blow-up with Ben
You know that anyone who dares to play Survivor in high heels is a very special lady indeed. And Yasmin Giles is that lady. The outspoken hairstylist shows off her gift of gab in the latest edition of Survivor Talk. Special guest Stephen Fishbach (runner-up of Survivor: Tocantins) joins Josh Wolk and me as we grill Yasmin all about her absurdly bizarre motivational speech to the Foa Foa tribe, her curious strategy of doing absolutely nothing around camp, and, of course, her big post-challenge blow-up with Ben. Has she forgiven the outspoken bartender? And what was her time like with Ben in the Survivor: Samoa contestant quarters they were both sent to after being kicked out of the game? (One word — AWKWARD!) Click on the two-part video below to get the full scoop straight from the source.
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