Another day, another magnificent trailer for Spike Jonze’s Where the Wild Things Are.
The new trailer shows off more of the Wild Things and their elaborate wilderness, and I have to say, I am growing extremely impatient waiting for this movie. I want Catherine Keener to sit across a kitchen table and gaze meaningfully into my eyes! I also want to have divorce-evading psychedelic nature adventures! Oct. 16 cannot come soon enough.
What do you think, PopWatchers? Does this new trailer make you excited for Spike’s adaptation, or are you already soooo post-buzz about everything?
James Bond and Mr. Darcy were just the beginning for Meryl Streep. “Turns out [she's] a bit of a slut.” In Nancy Meyers’ It’s Complicated, the Mamma Mia! star juggles Jack Donaghy and a mild-and-crazy guy. In the film’s trailer, Streep’s bitter divorcee becomes The Other Woman when she and her remarried ex (Alec Baldwin) renew their passions. Caught in between is Steve Martin’s sweet, square architect.
My first thought when I saw this was, “Wow, Meryl Streep’s going to star in two $100 million hits this year.” (I don’t mean to jinx Julie & Julia.) What a run for the actress who, in her “Hollywood prime,” flailed in attempts to prove her stardom with misses like The River Wild and Death Becomes Her. What she’s doing now is unprecedented for an actress of her…experience.
What did you think of the trailer, PopWatchers? Too much Something’s Gotta Give? Which supporting character most caught your eye: Lake Bell, John Krasinski, Rita Wilson, Lake Bell? And who would you rather have dinner with: Alec Baldwin or Steve Martin?
I hadn’t forgotten that Jeremy Piven loved to jam. But on last night’s Jimmy Fallon show, Entourage‘s Ari Gold went head-to-head with The Roots’ Questlove in an old school drum-off–and didn’t embarrass himself.
Did you catch Piven’s performance? If the Entourage crew were a band, Ari would be on drums, and Vince would obviously be the lead singer, right? I imagine E on bass, Drama on keyboards, and Turtle playing sax. Sound about right?
Talking to Ricky Gervais and Stephen Merchant, the co-creators of The Office and Extras, is a lot like listening in on one of their side-splitting podcasts. This certainly makes life easy for any journalist who’s lucky enough to interview the Brit wits. When EW got Gervais and Merchant on the phone recently to discuss the first feature film they’ve written and directed together, Cemetery Junction — an ensemble dramedy set in working-class ’70s England, featuring supporting roles from Ralph Fiennes and Emily Watson, and due to arrive in theaters next year — we hardly had to ask any questions at all to get the banter flowing freely. READ FULL STORY »
Somebody get me a margarita. Bravo producers must be slipping $20s all over town to make sure there is always a funnel of the frozen stuff in NeNe’s vicinity. If she stays always just this side of sauced, they can depend on her to tickle Kim’s tatas and orchestrate brawls. If she sobers up, well then she might heed wise Greg’s advice to just let all the drama go. After filming wrapped for the season I hope dear Greg—”What does it sound like when you apologize?” he asked his wife. “Let me hear it.”— called up Bobby Zarin and the two of them booked a nice long cruise. Those good men are the definition of menschs. If Atlanta didn’t have NeNe, we might be stuck with more extended bits of Ed dribbling rose petals in the shape of heart around his foyer and ladling red vinaigrette out of a champagne bucket. Beat it, Ed! Listen, the man looked better in white drawstring pants than Simon ever could, but that does not make him a similarly welcome sixth Housewife.
A quick few episode highlights: Ed wants babies, trusts his soldiers. Made Chilean See Bass. Ran bubble bath. Sheree folded laundry. Showed off her butt nicely in leather pants. She realized that nothing makes a woman feel more empowered than gasping and giggling over the sound of a gun at the range. After a little target practice with her friend Tania, a veteran of Desert Storm and the Pro Athlete Dating Scene, Sheree declared that “I hit the kidney, the stomach, the lungs!” Sigh. She was now ready to protect her family from any savages roaming her remote, rural property (ie, .5 acres with underground sprinkler system on an exurban planned development). READ FULL STORY »
Take your seats, class: Movie critic Owen Gleiberman is taking on some of your, um, “concerns” about his gallery of 20 Top Horror Films of the Last 20 Years. Read his rebuttal as he wraps up his exploration of horror movies for week 6 of EW University and check out this week’s classes on legendary horror flicks Psycho andThe Texas Chainsaw Massacre. Stick around all summer long for future EW University courses on Quentin Tarantino, vampires, and more.
Owen Gleiberman’s response to readers: When I decided to put together my list of the Top 20 horror films of the past 20 years, I knew that just by being honest — sticking true to the movies I find most scary, spooky, disturbing, unsettling, scary-funny, or just plain horrifying — I would inevitably inspire catcalls of outrage, righteous denunciations, and cries for my critical head. It’s not only that lists like these are meant to be fought over and argued about (personally, I wouldn’t have it any other way). It’s also that this is…horror we’re talking about. Very visceral stuff. Opinions that people feel in their guts and their central nervous systems. If, like me, you happen to find The Blair Witch Project an original and terrifying experience, one that haunted your dreams for weeks, it’s doubtful that anyone who found it an overhyped dud (“Where’s the monster?”) full of nausea-incuding camerawork is ever going to be “convinced” that it should have frightened the bejesus out of them. Apart from comedy, nothing in movies is quite as subjective as what scares — or bores — us to death. READ FULL STORY »
In Cirque Du Freak: The Vampire’s Assistant (out Oct. 23), Hayek costars as Madame Truska, the hirsute woman in a traveling freak show and girlfriend of the titular vampire (John C. Reilly). The fantasy, based on the popular young-adult books, follows a boy (Chris Massoglia) who becomes an apprentice to Reilly’s vamp. Hayek’s character sprouts whiskers every time she gets passionate with her boyfriend. “So she needs to be very comfortable with herself, which Salma really is in real life,” says director Paul Weitz (About a Boy). “I thought, of all people to have that problem, she’d be an interesting one.” Check out the EW issue on stands now for this and more First Looks, including one of Lucy Lawless in the sexy new TV series Spartacus: Blood and Sand.
I began writing this blog on Wednesday when I realized so much had already happened this week that it was going to be hard to cram everything in. So, I’ll say in advance that there is just too much that happened to cover in this blog, but I’ll do my best to hit some of the highlights!!
FUN FACTS (HOH Competition – Winner: Russell)
Title: “Graduation Day”
* Jeff and Russell lasted more than 3 and half hours on the rig before Russell won.
* The graduation diploma that served as an obstacle as they spun around on the graduation wheel was over 12 feet long.
* The graduation wheel spun the houseguests at approximately 15 revolutions per minute. This means that a House Guest did a full revolution in 4 seconds!
Russell has assumed the role of a covert eavesdropping spy made infamous by Alison Irwin during Big Brother All-Stars (remember how she used to physically hide in that oversized vase for hours to hear other people’s conversations?). Russell’s obviously too big of a guy to pull that off, but he’s proving that sneaking up to closed door conversations is just as effective (and, I’m assuming, more comfortable), although his intel is not always accurate (he mistakenly thought Ronnie and Michele were conspiring behind closed doors when it was actually Ronnie and Chima, which began seeding doubts about Michele in Russell’s head). Well, can’t blame a guy for trying! READ FULL STORY »
By now, you’ve heard thatThe Ugly Truth, starring Katherine Heigl as a TV news producer who is forced to work with on-air “talent” (Gerard Butler) who preaches that men are exactly who women fear they are — then agrees to follow his advice to either land the man of her dreams or have the right to fire him — blows. I braved the 14 percent Tomatometer rating, finally saw it, and… I enjoyed it. Judging by the laughter I heard, so did others in the theater. (I know! I was surprised there were “others,” too. I’d expected a private screening like when I went to see Rhinestone in 1984.)
Now before you jump on me like a couple of colleagues did after reading my confession in my Facebook status (“That movie was really vile”), I’m willing to admit that my expectations were low knowing that the general response to the film has been disgust, and that I won’t be sitting through it as many time as I do The American President when it hits cable. But I’ve seen enough sappy romantic comedies — and enjoyed them too, full disclosure — that I somehow appreciated having to squirm in my seat as that vibrating panties scene went on waaaaay too long. (Though really, any woman would have taken the 30 seconds to change out of them before answering the door and heading out to dinner because they were black and her dress was white). Yes, the explicit sex talk sprinkled throughout was jarring in a glossy romantic comedy marketed to women (we don’t often hear the word “orifices”), and it could’ve been written more cleverly, but that jolt was something new. And again, I laughed. Frequently.
As for the film’s message: As scared as I am as a single woman to think that Butler’s character speaks the truth for most men, what he told Heigl’s to change about herself to land her guy (Eric Winter, in a role offensively generic) is no different than what women tend to do on their own in romantic comedies. The only difference is, women don’t usually talk about the sex-me-up, dial-my-Type-A-personality-down plan; the “evolution” is set to a musical montage so audiences don’t have enough quiet to debate for whom she’s really embracing her sexuality. (That said, I totally buy what Butler’s character said: If you don’t want to have sex with you, why should anyone else?) In the end, the ugly truth isn’t that all straight men want a woman who won’t challenge them or express a contrary opinion, but that even a smart woman is willing to pretend to be someone like that to get a guy who fulfills all the requirements on her checklist. At least when she does, she’ll realize that she’ll never be happy hearing him say “I love you” because she’ll always know that the “you” isn’t her. And you can’t blame a guy for liking a simple facade, if that’s what you built for him.