Archive: May 2009 (341-350 of 467)

May 8 2009 06:01 PM ET

Kirstie Alley: Does being overweight really make you 'disgusting'?

Kirstiealley_l Kirstie Alley appeared on Oprah last week discussing her weight gain, and this week she’s opened up to People about putting on 83 pounds in two years. Lynette Rice already covered the fact that the actress shouldn’t have to apologize (especially publicly) for this. But maybe she should apologize for something else: About realizing she had hit 228 pounds, she said to People, ”I was so much more disgusting than I thought!”

Let me get this straight: Extra weight makes you disgusting? Before we continue, let me offer you a few definitions of the word ”disgusting”: highly offensive; repugnant; to excite nausea or loathing in; sicken; to offend the taste or moral sense of; repel. Now, it’s not the sight of the extra weight, or the thought that she let herself regress so far, or the fact that she gained so much in such a short time that’s disgusting — she wasn’t disgusted by what happened; she actually found that she had become "disgusting."

It’s not just Alley. On this week’s Biggest Loser, one of the contestants told his trainer that his brother was "disgusting" for being so apathetic toward losing weight. On a show so inspirational, it was jarring to hear Mike hurl such a pointed, critical word at his little brother, a person who, until last October, he had been exactly like. Listen, Mike, just because someone hasn’t (yet) had the same life-changing revelation as you doesn’t mean they’re any less worthy of your respect. The Biggest Loser doesn’t demean people for their weight, it educates them and helps them become healthier. The contestants look back on their old selves as clueless, not worthless, sickening, or offensive.

There are plenty of things that are disgusting: maggots, the sticky floor at the movie theater, brussels sprouts. But fat people are not disgusting. What is disgusting is that someone’s entire worth as a person can be assessed by a number on a scale, and that that idea is being promoted by people who have struggled with weight themselves. The word ”disgusting” in relation to someone’s validity as a human being (even your own) just doesn’t sit well with me, and I’m somewhat disgusted to hear it being thrown around that way in popular media.

Were you uncomfortable with Alley’s and Mike’s word choice? Is the use of the word ”disgusting” indicative of a larger prejudice? Or am I just overreacting to passing statements?

May 8 2009 05:41 PM ET

'The Office' webisodes: Creed FTW

Categories: Tech, The Office

"The world is a different place than the one my grandchildren grew up in." Just when you think you know all the weird crap Creed can say, he sets a new standard for delightful weirdness.

The Office‘s new summer web series, "Blackmail," follows everyone’s favorite Scranton silver fox as he attempts to blackmail the various employees of Dunder-Mifflin. The series also marks producer/actor B.J. Novak’s directorial debut, and as fun as this first episode is…I think I preferred the making-of mini-doc, which I have embedded after the jump for your viewing play-zhur.

So, PopWatchers, do you think the Creedcapades will top The Office’s previous Web series?

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May 8 2009 04:50 PM ET

'30 Rock': Best moments from 'Mamma Mia'

As far as 30 Rock episodes go, I admittedly was of the EW minority that wasn’t crazy about last week’s "The Natural Order." But last night’s "Mamma Mia" won me right back. C’mon, what other show could pull off turning "Mamma Mia" into a verb?! Besides Liz’s unnatural joy about Jack’s search for his father, which reminded her of that very "madcap musical romp…fun….good" movie, we also had Tracy playing dad to a con artist pretending to be his son (who wants nothing more than to open a dojo). We also had Steve Buscemi come back again this week to sufficiently weird us out, and Alan Alda was delightful, as usual, as Jack’s likely ("Gasp. Feign surprise!") father Milton. Here, in chronological order, are the standout moments, lines, and impromptu sing-a-longs from last night’s episode:

1. What family means to Jack: "Resent, guilt, anger, and Easter egg hunts that turn into knife fights."

2. "If I have learned anything from my Sims family, when a child doesn’t see his father enough he starts to jump up and down, and then his mood level will drop until he pees himself."

3. Tracy making a faulty sidecar on a motorcycle for his dog.

4. Liz and Pete (more Hornberger, please!) trying to figure out Tracy’s (and Samuel L. Jackson’s) age:

5. Kenneth joining in for a rendition of "It Takes Two"

6. S & M magazines: Super & Magical!

7. "I will not be spoken to that way! I’m a contest winner!"

8. Milton ups the ante for shoe put-downs: "When is your cult committing suicide?"

9. Tracy may hug people too hard and get lost in malls, but hey, he’s not stupid.

10. Tina’s TONY cover.

What did you think, PopWatchers? Could you not resist last night’s episode either? Or was Liz’s fart train "a deal breaker, ladies?"

May 8 2009 04:09 PM ET

'Taking The Stage' season 1 takes a final bow, and I want more!

When I first heard about the new MTV series Taking The Stage (a reality take on Fame set at Cincinnati’s School for Creative and Performing Arts, a.k.a. the former home to stars like Nick Lachey and Sarah Jessica Parker), I honestly thought it would be so cheesy and contrived that I wouldn’t be able to stand even five minutes of it. Boy was I wrong!

I got so drawn into the first (and hopefully not the only) season that I’ve been staying up super late on Thursday night — gotta watch Survivor, Grey’s Anatomy, and Millionaire Matchmaker first! — because I couldn’t let it sit on my DVR without knowing what the heck would be up with the Mia-Jasmine-Tyler love triangle (or, if you add Aaron, it would be a square) that week. Romances aside, I also enjoyed watching the legitimately talented kids — the kind of talented that makes you think we’ll be hearing more of these names in the future.

Last night, in the show’s finale, we saw the aforementioned love triangle (and Malik) all attempt to conquer their dreams. Jasmine auditioned for the Alvin Ailey Fordham B.F.A. program, Malik and Tyler auditioned for a chance to sign with the commercial dance agency, and Mia headed to Manhattan to meet with Jive Records. Only one proved to be successful of the group: Tyler. Though in signing with the Bloc Agency, it would mean he’d have to leave school a year early (and thus, MTV definitely wouldn’t have fodder for a second season).

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May 8 2009 03:45 PM ET

'Enterprise' vs. the Death Star: Place your bets!

If you think that something like this hasn’t entered George Lucas’ mind — along with every geek born after 1968 — at least once, then you’re kidding yourself.

(And it’s probably best not to consider what the Enterprise is doing, inside the Earth’s atmosphere, just sitting there. It’s not a shuttle, damnit, it’s a starship.) ((God, I am a dweeb.))

May 8 2009 03:44 PM ET

Kindle can't say 'Barack Obama'...let's waterboard it

Obamakindle_lIn a surprisingly cheeky piece, the NY Times points out that the Amazon Kindle electronic reader has a few glitches in pronunciation, the most glaring of which is an inability to say "Barack Obama." (Apparently it comes out sounding like "brack Alabama.") Amazon has since fixed the pronunciation and will include it in an online update. Still, I’m thinking conspiracy. What else can’t you say, Kindle? "America"? Why do you hate our freedom?

May 8 2009 03:18 PM ET

'Bones' recap: Happy...sperm

Let’s not even pretend that we care about the case in last night’s episode. To get to the bottom of what binds Booth and Brennan together as partners, Sweets ordered them to play a game of word association that somehow made Brennan realize she wants to have a baby because it’s Sweeps. It would be selfish of her not to pass on her genes, she said. Throughout the hour, we learned the reasons she wanted Booth to be her sperm donor: To Angela, she acknowledged that it’s because he’s attractive, and attractive people tend to be more successful. To Sweets and Booth, she admitted that it’s because Seeley has courage, compassion, and empathy — traits sperm banks cannot quantify on donor bios. Sweets, bless his heart, tried to get Brennan to see that those reasons for her wanting his (exceptional) swimmers might mean that SHE LOVES HIM, but apparently, no one can speak the word "love" directly to Brennan. (Though props to Angela for flat-out suggesting to Brennan that what makes Booth the perfect donor might also make him the perfect dad.) Brennan can keep dismissing her feelings, but at this point, good friends would be trying to help her along and not just off buying onesies.

I spent most of the episode angry that Seeley was so willing to be her donor when she made it clear that they wouldn’t be raising the child together. (He could maybe babysit when the nanny needed a day off???) "I don’t understand why he’d be protective of his semen," Brennan said to the team after announcing over a tibia that she’d decided to have a baby (yes, like a small human, Cam). Oh, I don’t know, Brennan: Maybe it’s because he’s Catholic, or because he already has a son that he doesn’t get to see enough of because he’s no longer romantically involved with the mother? But, of course, Booth was just trying to convince himself that he was okay with the arrangement — because he’d do anything to make Brennan happy. After he hallucinated another conversation with Stewie from Family Guy, this time in an interrogation room in front of Brennan, he told her that he could never NOT be a dad to his child — and she told him that he needed to go to the hospital because there’s something seriously wrong with him. Maybe she should have gotten herself checked out, too, since she also saw his dead friend in the graveyard at the end of "The Hero in the Hold"?

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May 8 2009 02:05 PM ET

Norm MacDonald on 'Letterman': Shock me, shock me, shock me with that deviant behavior

(Sorry, just thought it was high time for an Empire Records reference on a Friday morning.) Sometimes it takes a random Norm MacDonald appearance on late-night TV to make us realize that we’ve kind of missed Norm MacDonald. On last night’s Late Show, the comedian regaled a giggle-fittier-than-usual Dave Letterman with such lighthearted topics as euthanasia and crystal meth. In the second part of his interview, embedded below, he drops the F-bomb during a story about Bob Uecker and John Fogerty, seemingly just for the f—ing hell of it. Press play below.

Are out-of-the-blue small doses of Norm enough for you, or would you want to watch him do something more regular on TV?

May 8 2009 01:56 PM ET

Hulu's Commercial-Free Prime Time: I don't think I want to watch

Categories: Tech, Television

If you’ve gone on Hulu this morning, you’ll have noticed the giant countdown clock for its "Commercial-Free Prime Time" this evening from 7 p.m. to 3 a.m. ET. Aside from the fact that the "commercial-free" prime time is brought to you by McDonald’s (how’s that gonna work? the player window skinned in a giant Big Mac wrapper?), it also begs the question: Is Hulu trying to coax me into a box? Part of the reason I go to Hulu is because I like watching my favorite shows whenever the mood strikes. If I have a free half-hour on Saturday at noon, and I feel like watching 30 Rock, I watch 30 Rock. And for this total flexibility, I’ll gladly look at a quick commercial to get to the next segment. Really, it’s not a big deal. So why is Hulu pushing an old-school concept of "prime time" when their whole reason for being is whenever-time? Tonight’s experiment seems a bet that people hate commercials more than they desire flexibility. I just don’t buy it.

Check out the 30 Rock episode below (wait until 7 p.m. or you’ve totally wasted 8 seconds on an ad), and then let us know: Are commercials really so stifling to your life that you’ll be more likely to go to Hulu for this commercial-free thing? Is this Hulu making a play for regular TV viewers? Or for EW.com blog posts?

May 8 2009 01:37 PM ET

'Hell's Kitchen' recap: Things are getting fishy

Cue the horror movie music, shield your eyes, and mute your televisions…Lacey is back. Yes, I realize that she was only in this week’s episode for a brief five minutes or so, but the sight of those clueless doe eyes and the sound of that voice (that apparently only comes out in a whine) were more than enough to make me want to stab my eyeballs out with my mechanical pencil. But, it is not the first time this show has prompted thoughts of self-preservational violence, and it’s not likely to be the last. So I soldier on. Aside from the dreaded return of the booted chef, this week’s show was a fine finale lead-in — nothing explosive, but plenty of decent moments — fishy and otherwise.

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