Archive: April 2009 (51-60 of 498)

Apr 28 2009 04:22 PM ET

'American Idol': What should the Top 5 sing for 'Rat Pack' Night?

Categories: American Idol

Americanidol5_lFingers crossed that American Idol‘s decision to go back — way back — in musical time for an evening of songs popularized by the Rat Pack will pay dividends. The show has history on its side: Big Band Night was one of the undeniable highlights of Season 1 — remember Kelly’s "Stuff Like That There" and Tamyra’s "Minnie the Moocher"? — and both 1950s Night and Great American Songbook Night in Season 5 were pretty killer, too. Check out my request list for the season 8 top 5 below, then post your own picks in the comments section below!

Adam Lambert: We all know Adam can take an obscure song arrangement and sell it like it’s cold, bottled water in the desert. And we all know he’s got a knack for infusing a lyric with added subtext and meaning. (See: "Mad World," "Black or White.") On that note, I’d love to see him put a beat-heavy twist on "I’ve Got You Under My Skin" the way Neneh Cherry did for 1990′s Red Hot + Blue benefit album (sans Neneh’s added lyrics, of course).

Danny Gokey: Needs a "moment" worse than Octomom needs a Diaper Genie, and for that to happen, he needs to break the karaoke shackles. Best way to do that is to avoid a song that everyone knows, and instead aim for a gorgeous, intimate melody, maybe accompanied only by piano. I’d suggest Dean Martin’s "Under the Bridges of Paris" or Sammy Davis, Jr.’s "What Kind of Fool Am I?"

Allison Iraheta: Here’s a contestant who deserves to/needs to have a little fun up on the Idol stage, and what better way than covering Frank Sinatra’s "That’s Life" (preferably in a chic gown that’s not red and black). And for a contestant who’s becoming a permanent bottom-three fixture, what better lyric than "Each time I find myself laying flat on my face/I just pick myself up and get back in the race"? (Also apropos if — GAH! — she has to give an encore performance on Wednesday.)

Kris Allen: He can do romantic — "Falling Slowly," "How Sweet It Is to Be Loved By You," "To Make You Feel My Love" — but surely the man has felt the blues, no? Frank Sinatra’s "Drinking Again" might provide the perfect opportunity to use his puppy-dog eyes and hangdog voice to extol the glory of a broken heart.

Matt Giraud: Dude needs to take his place at the piano and avoid OD-ing on falsetto and vocal acrobatics — preferably on something jazzy, crowd-pleasing, and with an undeniable melody. I’m requesting "Luck Be a Lady" or "Autumn in New York."

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Apr 28 2009 04:15 PM ET

'Drop Dead Fred' remake: Let's not flick boogers at it just yet

Glaaaadiooooolas?! Snotfaces, I am all over this remake of Drop Dead Fred starring Russell Brand on two conditions: One, they keep the gag where Fred’s face gets flattened out in the refrigerator (favorite!); and two, Phoebe Cates be involved at least in some capacity — we don’t see enough of her, and she is awesome.

Assuming those conditions are met, DDF is ruh-ruh-ripe for a remake. It’s…kind of awful. (EW gave it an F when it came out. Burn!) And it’s creepy, but not in a funny way. The original is tonally incoherent — is it supposed to be hilarious, or a really, really depressing story about the long-term effects of emotional abuse? Oh, both? — and nothing fully develops. So there’s definitely room for improvement.

At its core, though, there are plenty of fun and substantive ideas behind DDF: that our childhoods inform our adult behaviors; that the combination of imagination and ambition we embrace in our youth is important as we grow up, too; that a little rebellion here and there keeps us from being pod-people. Russell Brand is ideal as Fred 2.0: Uninhibited, probably irresponsible, but not an actual trouble-seeking idiot. (I’m in the minority here among DDF fans, but I really hope Fred is less of an a–hole in this one. Seriously, we’re supposed to root for him, except he tracks poop through the house? Uh, that’s not a childlike sense of whimsy!) I’m not sure I’d be behind anyone else as Fred — Brand seems totally right.

Who’s with me, PopWatchers? Are you ready for a remake of Drop Dead Fred?

Apr 28 2009 03:52 PM ET

McConaughey as Captain America: Good for McConaughey and America?

Captainamericacasting_lThe prospect of playing Captain America seems to be growing on Matthew McConaughey – either through sheer repetition of his name in connection with the planned movie about the patriotic superhero, or because he’s actually grown as tired as we have of him playing doofy (if hot) dudes with commitment issues (who also at some point go shirtless). Does anyone else get the feeling in, say, Ghosts of Girlfriends Past, that he’s thinking, "I still can’t believe they keep paying me for this, but what the hell"? As much as I wonder if we need still more comic book creations roaming our multiplexes, I enjoy a good superhero flick. (Hey, those Iron Man and Batman movies last summer weren’t bad, right? Hell, I even liked The Incredible Hulk okay.) And casting McConaughey could do a lot of good for everyone involved: It would attract female moviegoers who still swoon over his shirtless pics in Us Weekly, and it would put the right kind of guy — if you think back, you may remember a good actor lurking in McConaughey’s past, right around A Time to Kill — in the prime role. It would also give McConaughey something constructive to do besides getting third-rate romantic comedies greenlit by signing onto them indiscriminately. A win for us all!

What do you think, PopWatchers? Would McConaughey make a good Captain America? And would America benefit from McConaughey in the role? 

Apr 28 2009 03:37 PM ET

C'mon, 'Heroes,' really? THIS is how you end your season?

Man, some days, it’s hard to be a geek. It’s tough being the dude who cares about this stuff even if he doesn’t want to. It’s a calling, really — like pulling a sword from a stone or being handed one of the Lantern Corps rings — and you can’t turn it down. You have to watch the season finale of Heroes, even if you’ve sorta stopped caring. To save you some time, here’s the episode, and after the jump, the four spoilery things you "need" to know:

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Apr 28 2009 03:34 PM ET

Susan Boyle's 1995 audition: Insulting, degrading...and fairly standard reality TV

Britain’s Got Talent may have been Susan Boyle’s big break, but it wasn’t her first foray into the reality-contest genre. Back in 1995, she auditioned for the Star Search-ish My Kind of People. Host Michael Barrymore wasn’t as impressed as Simon et al:

Is this classless and sort of degrading? Yeah, absolutely. But I’m not sure that what Barrymore is doing is so different from how most shows treat a lot of their contestants. If this clip of Susan Boyle being mocked is sad and off-putting — and it is — what does that say about the the weeks of audition episodes on American Idol, where dozens of contestants are trotted out for the sole purpose of mockery? Do only talented singers deserve not to be degraded?

If we could stop congratulating ourselves for a second on how great it is that we’re giving a middle-aged, not conventionally attractive woman the time of day, we might see, as others have pointed out, what’s really amazing about her story: a little human decency going a long way on reality contest shows.

More Susan Boyle:
Music Mix: Susan Boyle: America, what’s your problem?
Susan Boyle starting on the makeover: Like you wouldn’t…?
Simon Cowell: ‘Distractions’ could doom Susan Boyle
Ken Tucker: Susan Boyle interview: ‘I’m happy the way I am: short and plump’
Susan Boyle: 14 Candid Photos
Susan Boyle on ‘Larry King Live’: Did you watch?
Susan Boyle’s ‘Britain’s Got Talent’ audition gives Simon his second spontaneous ‘O’ of the week

Apr 28 2009 01:48 PM ET

Clip du jour: Jay Leno laughs off his hospital stay

Jay Leno returned to The Tonight Show Monday. The host had spent 24 hours in the hospital late last week, canceling two shows, after arriving to work on Thursday with a 103 degree fever. He blamed the hospital visit on an "ODN (overly dramatic nurse)" at NBC. But perhaps he should thank him or her. It got us to watch his monologue…and laugh. (It was the Conan joke.)

More clips after the jump…

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Apr 28 2009 11:00 AM ET

Fashion TV: So last season?

Maybe we waited too long for Project Runway to get out of legal limbo. Maybe the genre is simply oversaturated. Maybe fashion just seems too frivolous in these terribly serious times. For whatever reason, news that MTV is starting its own sartorial series, The Stylist, gets us none too excited. Could it be that clothes just don’t do it for us anymore?

First came the Runway doldrums, as we watched our once-favorite reality series sit in the amber of a legal morass like a fossilized bug. It’s Bravo’s! No, it’s Lifetime’s! No, there’s a lawsuit! We all know how it ended: Lifetime won and is bringing the show back in August (relive some of Runway‘s glory with the clip embedded below). Then Bravo announced that it would start its own competing series: The Fashion Show with Isaac Mizrahi, Kelly Rowland, and Fern Malis, premiering May 7. (And at first blush, it looks about as close to Runway as Hayley Mills does to Hayley Mills in The Parent Trap.) Now MTV wants in, and frankly, it seems like a stitch too many.

Plus, doesn’t it all seem a little…silly? Especially now? Either we can’t afford new clothes, or it seems imprudent to give our credit cards that kind of workout. Or is that the point? Should we embrace these shows because they’re empty calories, fun little distractions from layoffs, swine flu, and pirates? What do you think, Pop Watchers? Is fashion in, or is it out?

Apr 28 2009 10:20 AM ET

Quote of the Day: 'The Last of the Mohicans' edition

"You stay alive. If they don’t kill you, they’ll take you north up to Huron lands. You submit, do you hear? You’re strong. You survive. You stay alive no matter what occurs. I will find you…no matter how long it takes, no matter how far. I will find you." — Nathaniel (Daniel Day-Lewis) to Cora (Madeleine Stowe), before jumping through the waterfall in The Last of the Mohicans

Apr 28 2009 10:00 AM ET

'Harper's Island': You can resurrect Saturday night TV!

Categories: Television

At first I was bummed. When a network shifts a show to Saturday nights it’s typically a no-confidence vote, and so it seemed with Harper’s Island. The CBS slasher series, which moves to Saturdays starting May 2, promises to kill off at least one of the members of a posh wedding party every week—at least as long as it doesn’t get killed off first. That would be sad because not only is Harper’s a fun throwback to old-school thrillers, it’s produced by (among others) Dan Shotz and Karim Zreik, who produced Jericho. Like Jericho, Harper’s is now in danger of becoming a cult show that faces a long, slow death. (Full disclosure: I moderated the Harper’s Island panel at WonderCon.)

But a move to Saturday night may not be a death knell—especially if viewers follow. There’s absolutely no reason Saturday night TV can’t be great again. The Golden Girls and The Love Boat were top-10 hits on Saturday night, and Fantasy Island and CHiPS were top 20. And there are (okay, a scant few) indications that networks are paying attention to Saturdays again: NASCAR is a weekend mainstay on Fox and CBS aired Streisand: Live in Concert this past Saturday. (Guess which DVD set is sitting at the top of Amazon’s queue? That’s right: Streisand—The Concerts.) Plus, if no one’s watching TV on Saturdays, how is Saturday Night Live still popular?

This may, in fact, be the perfect moment to raise Saturday nights from the dead. With the recession raging and Americans nesting, there may be no better place to be on the weekend than at home. And you may have noticed that networks actually pay attention to ratings, especially in recessions, especially in areas where they didn’t realize they might actually be able to make a buck or two. So watch Harper’s Island, and NASCAR, and reruns of Southland (which really is quite an excellent show that also needs your love), and show network execs that you’ll be happy to stay home on Saturdays for their programming…provided there’s something decent to watch.

Apr 28 2009 01:34 AM ET

Joan and Melissa: Still classy

"You’ve now got a Nazi and a follower."
"They’re…two little #$%^ pit vipers! Whore pit vipers!"
Joan and Melissa Rivers once again proved why cameras have to follow them wherever they go: because they will say anything. After last night’s Celebrity Apprentice elimination booting Melissa (which you can read about in Jean Bentley’s TV watch on the show), the red carpet menace and her mother went off on poker player Annie Duke and Playboy centerfold Brande Roderick, spewing epithets, invective, and some serious nastiness toward the crew. Judge for yourself: Justified or no?

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