Archive: April 2009 (401-410 of 498)

Apr 6 2009 11:15 PM ET

The CW's summer programming: The sad reality of it all

Hitchedorditched_lFor the most part, television on the broadcast networks sucks during the summer. I know this. Viewers are out of town or at the beach and, thus, not turning on their TVs (well, maybe they’re watching cable instead), so the networks don’t put much effort into what they air. See: NBC’s freakfest America’s Got Talent, CBS’ freakfest Big Brother, and ABC’s freakfest Wipeout, etc.

So I don’t know why in the world I was shocked this afternoon when I got an e-mail from CW publicity announcing two inane-sounding reality series that are debuting this summer. First, Hitched or Ditched (pictured), an hour-long show premiering May 27. Each week, it’ll follow a different long-term couple who have to decide whether to get married or break up entirely. According to the release, the couple will be "put through a series of personalized exercises that test their relationship, all while planning their dream wedding." (Or, rather, what it should say: "We’ll drag out these couples’ in-laws and bring up past secrets to make them start to hate on each other.") There’s no word on what the challenges will be, but you can bet the producers will try their darnedest to tear these couples apart in the most atrocious ways imaginable. Ahh, the beauty of summer TV!

And then we’ll get Blonde Charity Mafia. First, I was intrigued by this possibility — any show with the word mafia, especially when it doesn’t have to do with actual gangsters and it is paired with the word "blonde," sounds like a great idea to me. But, again, inanity seems to rule here: The show, which debuts July 14, is about "D.C.’s most influential 20-something Alpha Girls." Charity bitches, basically, with nothing better to do but rattle on with each other about their exploits. Influential? Highly doubtful. Looks like the only folks they’ll influencing is other silly girls who’ll think that they, too, can have a ripoff of Bravo’s The Real Housewives franchise.

My suggestion to The CW: Ditch this stuff and just do marathons of Gossip Girl and 90210. But what do you think, PopWatchers: Will you watch Hitched or Ditched and Blonde Charity Mafia? Do they have a shred of potential? Do you even watch network TV in the summer? Could these two shows be any worse than The CW’s past major dud Farmer Wants a Wife?

Apr 6 2009 10:44 PM ET

TV comedies: Will it get worse before it gets better?

Thegame_lChances are you didn’t pick up on the news that The CW will be getting out of the comedy business by season’s end. The fledgling network hasn’t had a comedy department for many months and, as a result, there were no half-hours developed for the fall schedule. For now, the 1.73 million fans of the CW’s sitcom The Game (pictured) may get a reprieve: This week, creator Mara Block Akil is expected to pitch her show as an hour-long dramedy in an attempt to save it. Sadly, there’s no such effort being made for the woefully underappreciated Everybody Hates Chris, the CW’s other (hilarious) comedy based on Chris Rock’s childhood. (A network insider says the show, which only attracts 1.71 million viewers, remains on the bubble for now — which is industry code for, it ain’t looking good, people.)

Forget, for a moment, what the loss of The Game and Everybody Hates Chris says about the already sorry state of shows featuring African-American leads. Their impending departure just isn’t good news for the already troubled sitcom genre, which hasn’t produced ratings gold since Chuck Lorre brought us Two and a Half Men in 2003. (That’s certainly no slight to the outstanding Big Bang Theory, another Lorre creation with Bill Prady, but its audience of 10.1 million doesn’t come close to what Charlie Sheen and Jon Cryer can still attract.)

And it seems it’ll get worse before it gets better for the genre. We already know NBC will air five fewer hours of programming next season to accommodate Jay Leno’s new yakker; that means less space on the NBC schedule for comedies, especially when their most critically-beloved sitcoms like The Office (9.1 million) and 30 Rock (7.6 million) aren’t exactly rocking the house of Nielsen. Meanwhile, Fox programming chief Kevin Reilly hinted earlier this year that he won’t put on any new comedies this fall unless (a) they’re awesome, and (b) they’re protected with great lead-ins and lots of good promotion (though we have our fingers crossed that he finds room this August for his remake of Absolutely Fabulous). With the "Closed for Repairs" sign going up so much around town at the broadcast nets, its no wonder sitcom writers are finding new life on the kiddie cablers like Nickelodeon and Disney Channel.

What do you think? Will you mourn the loss of the CW sitcoms, especially great moments like this one from Everybody Hates Chris?

Apr 6 2009 10:25 PM ET

NBC's 'Dorothy Gale': Do we really need another 'Wizard of Oz' reimagining?

114654__wizard_of_oz_lThe Wizard of Oz is a great movie. I’m not disagreeing with that. But I think we’ve officially hit a saturation point with all of the spin-offs and reimaginings and whatnot. We already had The Wiz. Return to Oz. Wicked. Tin Man. Now comes word that Friday Night Lights executive producer Jason Katims is working on a pilot called Dorothy Gale, set in present-day Manhattan, where Dorothy battles her "wicked" boss. Get it?! It’s all so subtle. And boring. But you know what show I would watch? Flying Monkey. It would be about a flying monkey, obvs, who moves to the big city and shares an apartment with a struggling actress and a scruffy bartender. They would all hang out in the pizza parlor downstairs. Oh, and there would be a lot of zingers about how the star is a monkey with wings. Greenlight that NBC! I dare ya!

Apr 6 2009 09:53 PM ET

Batter up! Bring on the baseball!

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Happy opening day, PW nation. Days like today bring up the inevitable discussion of the overlap betwixt the national pastime and the other national pastime: entertaining ourselves. But I’d like to think we’re all already pretty versed in the classics: Field of Dreams, Major League, Bull Durham, A League of Their Own, Eight Men Out, etc. Which brings me to, drumroll, A Few Great Moments in Largely Overlooked Baseball-themed Pop Culture History!

Norm MacDonald as Lou Gehrig So sacrilege, so hilarious.

Ham’s smack talk in The Sandlot Ugh, so underrated: The Sandlot‘s a total gem.

The brawl in Now and Then Another nostalgia-heavy ’90s kid-oriented movie, N&T reminds us all that nothing gets the blood pumping like stepping up to the plate.

Okay, PopWatchers, what are your favorite obscure-ish baseball moments?

Apr 6 2009 07:22 PM ET

Lifetime's best sex scene: Ivan Sergei and Emilie de Ravin in 'High Noon'?

Please tell me I wasn’t the only one who watched High Noon, starring Jack & Jill‘s Ivan Sergei and Lost‘s Emilie de Ravin, Saturday night on Lifetime. And, of course, by "watched," I do mean "taped and fast-forwarded to the sex scene." What the two stars lacked in actual chemistry they made up for in choreography — some of the most intricate I’ve ever seen in a Lifetime movie. (I sense a new Emmy category. Okay, a Bravo A-List category.)

Emilie, from what I deduced, plays a hostage negotiatior/single mom and Ivan is a tall, wealthy, well-built bar owner with an amazing house. Because I’m a lady and like context, I watched the scene before the sex, and saw that Emilie had canceled a lunch date with Ivan, but one of her coworkers grabbed her cell phone and told Ivan that she hadn’t had sex in a over a year so she’d be right over. When Ivan opened the door, it was on…on the counter, on the stairway, on the wall. He was putting his hands in all kinds of places (that we got close-ups of). So yes, I’m going to proclaim this Lifetime’s Best Sex Scene of 2009. But what movie has Lifetime’s best sex scene ever? Nominate away.

Apr 6 2009 06:52 PM ET

'Harry Potter' star Rupert Grint has sex, does drugs, and makes me hide under my desk

When Daniel Radcliffe chose to doff his clothes to show the world he was more than just Harry Potter, at least he did it starring in one of the most well-regarded plays of the last 40 years — you know, keep it classy. Judging from the trailer for Rupert Grint’s latest non-Potter project Cherrybomb, however, our beloved Ron Weasley has decided to launch his edgy period with a movie a fair shade more in-your-face. Check out the (kinda NSFW) clip below and see for yourself…if you can see, that is, while peeking through your fingers.

Brawling? Doing blow? Having the sexual relations? Oh Rupe — Rupie? Rupers? Rupunzel? — did you really have to shed your Potter shackles by taking on a movie that looks like a second-rate mash-up of a Bret Easton Ellis novel and the British teen soap Skins? What say you, PopWatchers — are you as embarassingly intrigued horrified as I am?

Apr 6 2009 05:38 PM ET

Nathan Fillion: The EW Pop Culture Personality Test

Nathanfillion_lThere comes a time in every blogger’s life when she’s asked to interview someone she’s had some fun writing about, and the decision must be made: Do I own the fact that I’ve said this man makes me want to procreate, or do I not? Because I’m professional (really), I decided that Nathan Fillion need not hear about that last Friday, when ABC offered me a few minutes on the phone with him during a tightly-scheduled satellite press tour to promote Castle (Mondays, 10 p.m. ET). But then, he started the conversation by acknowledging that EW.com has been “so kind to Castle and to myself,” and I laughed. Longer than that time I met David Boreanaz for a sit-down and he asked “Where do you want me?”. I felt the need to explain…

ENTERTAINMENT WEEKLY: So have you read any of my items on PopWatch, our blog?

NATHAN FILLION: My mother is my Google Alert lady, so if it’s got “Nathan Fillion” or “Castle” in it, she always gets the article and forwards it to me. I’ve read a number of things from EW.com, but I don’t know if any were yours in particular. But if it was EW.com, I’m sure I read it, so yes, actually. The answer is yes. You are lovely, and quickly becoming my favorite.

I wrote the one about how Castle is making my clock tick because I love the relationship between him and his daughter.

I did read that, and I forwarded that to Molly [Quinn], who plays my daughter. She’s fantastic. I’ve got to tell you something: I was sitting in on all those auditions. I was one of the first people cast on Castle, so I said, “I’ll sit and read.” You want someone to walk in the room and just light it on fire, and that was Molly. She was completely confident, and relaxed, and listened to you and connected. Just so appropriate and perfect for the role. So perfect. And so clever. Too clever. Matter of fact, I don’t like her anymore. I’ve just decided.

Did the two of you do anything special to bond?

[Laughs] She’ll tell you it’s the absolute truth: I’m terrible to her. I’ll get a text from her saying, “Hey, I saw the last episode. It was great. Blah, blah, blah…” And I’ll say, “Yes, it was fantastic. Oh by the way, I just heard you’re fired.” I’ll always do that. And I always tell her, “I’m toughening you up for real life, for the real world out there. You’re the little sister I never had…or wanted.” She’s old enough to be my daughter. Maybe I’ll start saying that…

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Apr 6 2009 05:30 PM ET

Exclusive: Beyonce does guest voice for 'Wow! Wow! Wubbzy!'

Beyonce will guest-star in four new episodes of Nick Jr.’s Wow! Wow! Wubbzy! starting Monday, April 27, and we have an exclusive clip! She’s the blonde in the middle. Obviously. Awww, the usually unadorned Wubbzy got all blinged-out (blung?) to become the likely Jay-Z-inspired (just a hunch) "Wubb-Z." No one falls off a stage and into a heap of abandoned orchestra instruments better than Wubb-Z, y’all! Press play below.

 

Apr 6 2009 05:26 PM ET

'American Idol' Power List: Vote for your favorite from season 8's Top 8!

Idolpowerlist_l8. Scott MacIntyre: (Last week: No. 9) Love the singer, but the singing? Well, not so much. It’s true, his stripped-down rendition of "Just the Way You Are" was his best performance of the season, but it still had all the relevance of a Beta Tape Player in a Blu-Ray world, and contained more than its share of bunky notes. Since the judges pumped up the praise during "Top Downloads" Night, they don’t need to worry about looking too cruel during "Songs from the Year You Were Born" Week. Isn’t Top 8 enough for the inspirational contestant?

7. Lil Rounds: (Last week: No. 7) Is she one of this season’s strongest singers, or an over-hyped shouter who keeps picking songs that are too big for her limited voice? The judges keep taking the former stance, but Lil’s too-flat, too-strained "I Surrender" supported the latter opinion. It can’t hurt her chances that she’s one of only two remaining women, but Lil needs a breakout week to reverse weeks of dying buzz. The tragic array of hairstyles ain’t helping, either.

6. Anoop Desai: (Last week: No. 5) After an awesome "Always on My Mind" and a solid "Ooo Baby Baby," ‘Noop Dawg slipped backward with a decently sung but tepidly performed "Caught Up." Inconsistency is a problem, but so is his image. Needs to prove he’s more than Joe Student singing an R&B ballad. Why not try delving into the alternative genre, and go for a radical style upgrade — might we suggest a buzz cut? — to make America take a second look/listen?

5. Matt Giraud: (Last week: No. 6) His off-pitch, almost maniacal cover of "You Found Me" was his biggest disaster since the "Viva La Vida" Incident. But Matt has a history of following up blunders with top-notch performances. Needs to take a lesson from season 7′s talented Carly Smithson: The more desperately she wanted to win, the less fun it looked like she was having on the Idol stage, and the crueler Simon got with his feedback. In other words, how can anyone enjoy Matt if he’s not enjoying himself?

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Apr 6 2009 05:02 PM ET

'United States of Tara' finale: We'll miss Marshall most of all

Tara_finale

Last night’s season 1 finale of The United States of Tara reaffirmed my love for Tara’s son Marshall — in my mind, the best gay adolescent character on TV. He’s thoughtful, vulnerable, hilarious…basically an understated, less flamboyant version of Ugly Betty‘s Justin Suarez. Tara’s encounter with Marshall at the hospital — "I forgive you, and I love you" — was one of the best and most tear-jerking scenes of the series, and exactly what Tara needed to get in the proper head space to meet her former rapist, Trip Johanssen.

Except it wasn’t a rape at all — turns out the sexual incident Tara assumed had launched her Dissociative Identity Disorder was actually consensual, and something one of her alters had experienced instead. Though not realistic in any way, Trip’s throwaway line, "See you later, T," marked a huge turning point in Tara’s effort to cobble together her past. I loved the parting shot of the family with Tara’s alters present-as-ever in the bowling alley — progress has been made; yet nothing has been resolved. Every time an episode ends, I can’t believe this show is 30 minutes instead of an hour. Don’t you think it should run an hour for season 2, set to air in the maddeningly vague "2010"?

Click here for "Sho-runner" (and EW columnist) Diablo Cody’s commentary on the season 1 finale, which replays tonight at 10 E.T. on Showtime. What did you like about the finale, and will you stick with Tara for another season?

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