Archive: March 2009 (341-350 of 518)

Mar 11 2009 03:24 PM ET

'Lost' and 'Idol' begin their time slot face-off (kinda)

Lostamericandol_lFox is going in for the kill. Beginning tonight, American Idol and Lie to Me will swap time slots, with the impressive new Tim Roth drama kicking things off at 8 p.m., and the ratings juggernaut starting an hour later at 9 p.m. Impact? For Idol: probably none. But Lie to Me will now have to make do without the most popular lead-in on the grid.

More importantly, the switch could really put the pressure on ABC’s Lost, which was barely edging out Lie to Me and CBS’s Criminal Minds in its 9 p.m. time slot. Ratings for the island drama have progressively declined this season, and a two-hour Idol in February indicated additional vulnerability.

How is this going to change your Wednesday nights? Lost is a repeat tonight, but can American Idol and Lost co-exist? Or will Idol cut further into Lost’s losses even when Sawyer & Co. return next Wednesday?  And what about Lie to Me? Can the frosh procedural stand on its own?

addCredit(“Lost: Mario Perez/ABC; Cowell: Gustavo Caballero/Getty Images”)

Mar 11 2009 03:20 PM ET

'Crazy Eddie' as a movie? That's in-sa-a-a-a-a-a-ne!

You read that right. Danny DeVito will direct a biopic about Eddie Antar, the consumer electronics king whose successful Crazy Eddie’s chain store had expanded to 43 locations before the guy was jailed, charged with fraud, and ordered to pay $150 million in fines in 1999. Remember these commercials? THIS IS GOING TO BE A MOVIE.

NOTE: Just to clarify, that’s not Crazy Eddie himself in the commercials. We’re not implying that the movie will play out like the ads. But it’d be funny if the film had similarly janky production values, huh?

Mar 11 2009 02:53 PM ET

'Twilight': 'Eclipse' director dance more entertaining than the movie?

Categories: Movies, Twilight, Waiting

Twilightforbo_l

Another day, another "news" item proclaiming that there’s a frontrunner for the director’s chair on Eclipse, the third film adaptation of Stephenie Meyer’s Twilight series. Will it be Drew Barrymore? About a Boy‘s Paul Weitz, brother of New Moon director Chris Weitz? Girl, Interrupted‘s James Mangold? The Orphanage‘s Juan Antonio Bayona, the Guillermo del Toro protégé whose name is getting serious ink today? Or someone who’s yet to even be mentioned?

Eclipse, with its army of volatile, rampaging newborn vamps, could be a truly frightening film in the right hands, so even though I’ve never seen The Orphange, I’m casting a vote for Bayona. In Lisa Schwarzbaum’s review of the 2007 Spanish-language creepfest, she refers to it as "this clever, clue-strewing Peter Pan’s Labyrinth." Very promising.

Who’s your pick?

More ‘Twilight’:
‘Twilight’: Juan Antonio Bayona to direct ‘Eclipse’?
‘Twilight’ deleted scenes: Rightfully cut?
‘Twilight’ poll: Dakota Fanning is Jane, who should be Alec?
‘Twilight’: Dakota Fanning will star in ‘New Moon’
‘Twilight’ Diary: Sneak peek at Catherine Hardwicke’s book
‘Twilight’ star Robert Pattinson talks ‘New Moon’ at the Oscars
‘Twilight’ stars, Dakota Fanning talk ‘New Moon’
Dakota Fanning offered role in ‘New Moon’
‘Twilight’: Taylor Lautner keeping Jacob role
‘Twilight’ sequel: New details on ‘New Moon’
‘Twilight’ sequel: Chris Weitz to direct ‘New Moon’
Twilight sequel: Who would you recast?
Twilight Trivia Challenge
Twilight: The EW Photo Album
EW’s Twilight Headquarters

Mar 11 2009 11:30 AM ET

Audrey Tautou: Her Coco Chanel biopic looks good, but has she bid adieu to America?

Categories: Movie Trailers, Movies

The trailer for Coco Avant Chanel — or, Coco Before Chanel — is making its way around the Internets. It’s a French-language drama starring Amelie‘s Audrey Tautou as the legendary couturiere, and from the looks of the trailer (which, malheureusement, is sans English subtitles for the moment), it appears to be a lavish period piece just the way I love ‘em. (It’s in theaters in France next month. Still waiting on a release date here, but the trailer is embedded below.) We see Tautou’s Coco enjoy some boy talk with her sister ("Do you really think a baron is going to marry a girl like you?") and we get a glimpse of the iconoclastic Chanel’s rise to fashion greatness. "What I’m missing is a job," she says. "I’m going to Paris!" The spot also teases the love triangle between Chanel and two different men, one of whom is played by the United States’ very own Alessandro Nivola. You can hear his slightly accented French in the trailer’s voice over, whispering all pillow-talk style, "You have a different destiny. You are like no one else." Apparently, the Boston-born actor learned to speak French to play Arthur "Boy" Capel, a wealthy English aristocrat and polo player said to have influenced Chanel’s menswear-inspired designs.

So what does the movie mean for Tautou’s career here in the States? The last time we saw her en anglais was in The Da Vinci Code which, let’s be honest, was not her finest hour. The petite French actress and Ron Howard’s adventure thriller did not go together like a freshly-baked gougère and a well-aged Côtes du Rhône. She looked uncomfortable from start to finish and conveyed little of the charm that flows so effortlessly when she acts in her native tongue. But in Coco Avant Chanel, she appears to be confident, sophisticated, and even a tad defiant. "I’ll speak to you however I please!" she tells her older-man, non-Nivola lover (Benoît Poelvoorde). The difference in comfort levels is understandable. Plenty of other European actors have tried working in English with middling results and ended up returning to the other side of the Atlantic for good. (In the case of Emanuelle Béart, I’d argue this is actually a good thing. Oh, snap!) Now, I’m not saying that a foreign actor needs to work in Hollywood to prove his or her worth. Despite what Tinseltown wants us to believe, it is not, in fact, the cinematic be-all, end-all of the universe. But I wonder if Coco Avant Chanel will prove to be just the kind of creative rejuvenator that will land Tautou a plum role in a first-class movie American production. Look what Volver did for Penélope Cruz. Two Oscar noms, one win, and a part in Rob Marshall’s upcoming musical Nine.

What do you think? Does Tautou’s new role herald good things for the Amélie star? Are you excited to see Coco Avant Chanel? And how about the linguistic talents of Alessandro Nivola?

Mar 11 2009 11:00 AM ET

Are horror films/thrillers the only way for young TV actors to get on the big screen, or just the most tired?

Leightonmeester_lI’ve been trying to figure out why the news that Gossip Girl‘s Leighton Meester has been cast in the Sony Screen Gems thriller The Roommate as a terrorized freshman annoyed me, and I think it’s because I’m at the point that I roll my eyes any time I hear of a young TV actor toplining a big-screen horror flick or "thriller." You’ve got to wonder if they’re rolling their eyes, too, when the script comes in, or if they’re just thankful that they got a movie script. (Maybe they’re actually fans of the genre that targets the audience demo they also belong to — I realize that’s an option.)

Just wondering if a young TV actor — and specifically an actress — can make a big-screen splash without going the horror/"thriller" route. I e-mailed a few colleagues to ask if they could think of anyone who’s made a successful-for-the-long-term leap that didn’t involve those genres, and the names that came to mind were: Michael J. Fox, Claire Danes, Michelle Williams, and Evan Rachel Wood. No one in the last five years. (You think of any?) Those that have tried — such as Adam Brody and Alexis Bledel — may hold special places in our hearts, but their names aren’t on the tip of anyone’s tongue…. 

Mar 11 2009 10:59 AM ET

'American Idol': On the scene at the Top 13 performance night -- special appearance by Chikezie

Adamlambertchikezie_lThis is only my third year driving myself across West Los Angeles from the EW LA bureau offices to CBS Television City, parking at the nearby mall, trundling up to Stage 36, and settling into the American Idol Thunderdome for an hour (or two) of rotating Idol logos, warm-up comics, flat-screen monitors, standing spectators, brushed steel, blue neon, lighting packages, judge bickering and, oh yeah, musical performances by potential Kelly Clarksons (or Sanjaya Malakars). But it certainly wasn’t a surprise for me that yesterday was the start of three months of on the scene, here’s-what-you-didn’t-see-on-TV Idol reports. Apparently, though, the fact that there was a live television show to put on at precisely 5 p.m. Pacific Time kinda snuck up on the folks at Fox and CBS Studios. The studio pages were still shuffling in audience members, and set PAs still fixing up the set, with just nine minutes to go before showtime. The seats were incorrectly labeled, making finding section G, Row 6, Seat 6 a super fun challenge. And come showtime, there somehow still weren’t enough bodies to fill the seats, which meant my fellow row-mates — including Season 7 favorite Chikezie (pictured, inset) and Season 6…contestant Phil I-can’t-remember-his-last-name-oh-that’s-right-it’s Stacey — and I had to "fill out" the row by sitting astride two seats each. Maybe everybody was thrown by the early switch to daylight saving time?

Most shocking of all: No Cory the Warm-Up Comic! (For those of you new to Idol and/or these write-ups, Cory is — or, perhaps, was — the regular Idol warm-up "comedian" notorious among those of us paid to cover the Idol stage each week for the simple fact that he does the exact same warm-up routine for every single show. Two years ago, I broke down and gave a detailed account of this routine, which you can read here — if you dare.) Suffice it to say, Cory’s become such a fixture of my Idol experience that his absence from the first finalist show of the season was a bit like the shock of a Paula Abdul capable of speaking in complete, cogent, insightful sentences. But just a bit.

As for the rest of the show, from my seat it was the most satisfying start to Idol‘s final rounds I’ve experienced since I started covering this pop-culture steamroller in season six. This could be due to my drastically lowered expectations for the season — I only counted a single fan-made sign before the show started ("Anoop Dog: Chapel Thrill! Represent!"), which played right into my fear that we’ve barely had time to get invested in any of the contestants this season. But as the show neared its close, my row-mate Chikezie put it as well as anyone: "This is a great night!" After the jump, I’ll give you the full breakdown of the evening, including why so much of Jorge’s performance was shot from the waist up, whether Adam Lambert (pictured) came over better live and in-person or live-on-the-East-Coast and on your TV, and how the audience knew it was Megan’s brother’s birthday well before home viewers did. Also: More commentary from Chikezie!

addCredit(“Michael Becker/American Idol/Getty Images”)

READ FULL STORY »

Mar 11 2009 10:30 AM ET

'Pink Panther' mustache necklaces: Fabulous or fashion faux pas?

Pinkpanthernecklace_lI was scrolling through a photo gallery on W magazine’s website about — what else? — recession-inspired garb and I noticed an Inspector Clouseau mustache necklace inspired by Peter Sellers’ Pink Panther character! Apparently mustache necklaces are not that uncommon. Nylon magazine covered them back in 2008. And after Googling "mustache necklaces" and seeing the buzz they’ve caused, I’m wondering what other trends I’ve completely missed out on, for better or worse.

If you’re a fashion guru that is obsessed with pop culture, check out our Style Hunter, updated with new finds every week. And tell me: What other pop culture-inspired fashion trends do you love?

Mar 11 2009 10:00 AM ET

Quote of the Day: 'Wonderfalls' edition

"Fat Pat. It was Fatsquatch but…" — Jaye Tyler (Caroline Dhavernas) on Wonderfalls

Mar 11 2009 03:24 AM ET

'American Idol': Michael Jackson night proves it's a closely matched field!

Categories: American Idol

So the first performance night of American Idol‘s season 8 finals has come to an end, and here are four observations: First, probably six or seven people have a legit shot at winning the Idol confetti shower at the Nokia in late May. Second, Paula Abdul was back with her batty self, and yet…she gave some of the evening’s most pointed and astute critiques. What’s next? A fall 2009 return to the top of Billboard’s charts with The Emancipation of Paula? (Hey now…as a fan of "Vibeology," I would welcome such a turn of events.) Third, it was a good night for singers with obviously dyed/highlighted hair. And finally, if you haven’t signed up for EW.com’s Idol Prediction Challenge, then you are TOTALLY breaking my heart. Come on now: Season 6 superstar Melinda Doolittle is playing. My Idolatry cohosts Kristen Baldwin, Missy Schwartz, Annie Barrett, and Jessica Shaw are all playing. Idolatry producer Jason Averett is in! Even America’s Next Top Doll contestant Princess Thursday is enrolled. So go to EW.com/idolpredict and shake what your mama gave you. Right this second! (It only takes 2 minutes tops to enroll.) You have until 7:59 p.m. EDT on Wednesday, March 11, to sign up for the first round of voting. So go, go, go!

Finally, about this "surprise change to the rules" Ryan mentioned. You know, the one that Simon said involved the judging panel. The indigestion in my tumtee has me wondering if the bottom two vote-getters each week will have to "sing for their lives" on the results show…with the judges determining which one gets through. Color me: UNAMUSED! As if the producers don’t spend enough time trying to manipulate us as it is? Also: Who do you trust more? America…who’s managed to get it right more times over Idol‘s seven seasons than the heads of most major record labels? Or the quartet who insisted Jasmine Murray make this year’s top 13 over Ricky Braddy? Think about it! That said, I’m not entirely convinced two people will be eliminated tomorrow. Note Simon said something about two contestants "going home"…but that could have been a careful and deliberately slick word choice. Or maybe I just don’t want to believe the producers are dumb enough to give us a top 13 on Tuesday, and immediately trim the fat down to 11 the following Wednesday.

On that note, I am off to write my full TV Watch recap, which will post here on EW.com early tomorrow morning. In the meantime, watch our latest two-part episode of Idolatry (part two plays immediately after part one…just give it 5 seconds) in which Jessica Shaw and I share our real feelings about Kara DioGuardi, Allison Iraheta, and Adam Lambert. Holla!

More on ‘American Idol’
Carrie Underwood’s ‘American Idol’ exit song: A vast improvement on ‘Celebrate Me Home’
‘American Idol’ Power List: Vote for your favorite from the top…14?
‘America Idol’ sex-line snafu: And you thought Bikini Girl was racy!
‘American Idol’: What should the top 13 sing for Michael Jackson night?
‘American Idol’: Our Advice for the Top 13
‘American Idol’: Tracking the Top 13 Finalists with our Idol Tote Board
‘American Idol’: Q&As With the Top 13!
‘American Idol’ recap: Boys Gone Wild Card!
EW’s ‘Idol’ Headquarters
‘DWTS,’ ‘Idol’: What’s the most you’ve voted on a single elimination night?

Mar 11 2009 01:33 AM ET

Indiana Jones: A rare look inside the genesis of the films

Indie_l What may be a holy grail of Indiana Jones artifacts was posted online on Monday: a 125-page transcript of the original story-conference meeting involving producer George Lucas, director Steven Spielberg, and writer Lawrence Kasdan. The blog, Mystery Man on Film, somehow got its hands on the alleged transcript, which features the filmmakers talking at great length in January 1978 about what would eventually become Raiders of the Lost Ark. The thing’s a pure joy to read. In it, you can find the genesis of everything from Indiana Jones’ name to his fear of snakes to his (possibly risque) romantic history with Marion Ravenwood.

One of my favorite moments in the transcript occurs when Spielberg is repeatedly transfixed with making Raiders‘ famous opening rolling-boulder-chase sequence feel like a Disneyland ride. "What we’re just doing here, really, is designing a ride at Disneyland," Spielberg says on page 15. And guess what happened 17 years later, in 1995? Disneyland opened an Indiana Jones ride, or should I say, an amusement-park ride based on a movie based on an amusement-park ride. It’s postmodernism at its best!

EW called Lucasfilm for a comment, and a representative declined to give one, but did point out that parts of the document previously appeared in the book The Complete Making of Indiana Jones. But what do you think? Does the transcript appear genuine to you? Which of the three filmmakers seemed the savviest in their conversations? And how different would the world have been if the character wound up being called Indiana Smith, as Lucas initially envisioned?

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