I am an absurdly big Melrose Place fan. I have seen every episode in the neighborhood of 10 times each. It’s a show close enough to my heart that it’s practically involved in my circulatory system, so I’m pretty emotionally invested in the remake. But I have some concerns.
1. Gasp-inducing, OMG scenes don’t, can’t, and shouldn’t exist anymore
Melrose Place arrived with the episode "The Bitch is Back." If you don’t remember having your mind explode when Kimberly ripped that wig off, well, maybe you were busy on April 27, 1994. I have watched tens of thousands of hours of television since then, but that will always be one of my biggest eyeball-popping moments of viewing. And there were a lot of those on Melrose, from the building blowing up, to Bruce hanging himself in Amanda’s office, to Richard’s hand coming out of the dirt, to zombie Brooke in the pool — and I don’t think those kinds of jaw-droppers really exist anymore on TV. That’s not a bad thing, considering how, you know, stupid and self-defeating it can become. Lost (which, of course, is radically superior in terms of objective quality) sometimes surprises me, but that’s sort of the show’s M.O. Gossip Girl‘s increasingly feeble attempts to create such duhn-duhn-duuuuuuhn moments have made the show less and less fun — I’m still waiting for someone to give a fart about Lily and Rufus’ love child. These almost campy, and sometimes straight-up campy, stories just seem stupid now. Spoilers are in, stunners are out: Like the Y-drop necklace it popularized, MP‘s calling card just isn’t in style anymore.
2. And minus those histrionics, Melrose is a little boring
Lots of low-level, amateur fans probably think of Melrose as a homogeneous unit of soapy ridiculousness. False! Early Melrose is extremely, almost comically earnest. It came out around the same time as The Real World, and there was an intense early-’90s vibe of social responsibility. Matt is a social worker! Stalker Keith is an environmentalist! Jo photographs homeless people! The characters go bungee jumping — as evidence of how cool and x-treme their lives are. On a Very Special Episode, Jo and Jake get tested for HIV. Hey, you guys, ectopic pregnancies are really dangerous. It wasn’t until most of the way through the second season that things got fantastically crazypants, which is the Melrose most people remember; the heyday. But then seasons 6 and 7 went back to being pretty blah, thanks to weird new characters no one cared about. (Cooper? Eve?)
3. They already remade Melrose Place, and it’s called The Hills, and I am kind of tired of it, and so is everyone else
Let’s see, we’ll spin off this high-school show and make something about twentysomethings. Say, a naive, relatively wholesome girl who tries to make her way in Los Angeles but finds herself repeatedly foiled by a two-faced bleach-blond vixen. She dates a string of doofuses; her brunette friend is the "edgy" one. Everyone seems to have a lot of money and be getting promoted all the time, except no one appears to do much work. There’s an aggressively present, on-trend pop soundtrack, lots of glamorous establishing shots of L.A. hotspots, and the acting is sometimes really, really bad. People break up and make up with abandon, and tenuously connected new characters appear, oh, all the time.
So, PopWatchers: Reason for concern, or is this just too close to my heart and I’m being paranoid? What other things should we be worried about? What can the producers do to avoid these and any other pitfalls?
I don’t care about the Green Hornet. I wanted to get that out of the way right up front. I don’t care about the Green Hornet in the same way I didn’t care about the Spirit: I don’t have a childhood love of the character, or the old serials, or the old TV show with Bruce Lee as crimefighter Britt Reid’s sidekick, Kato. And the only reason I cared about the Seth Rogen movie was the possibility of Kung Fu Hustle‘s Stephen Chow directing it. When he left the project, the care-o-meter went back to "eh."
Hot Tub Time Machine, a comedy previously described on PopWatch as having arguably 
I had a really tough time trying to figure out how I wasgoing to write this week’s blog and what I should say to you. I’m in a bit of atough position. As much as I would love to "Tell All," that’s justnot possible right now. But believe me when I tell you, that will happen inthis space next week. As much as I’m sorry that some of you have somehow founda reason to doubt my integrity and honesty, there’s not a whole hell of a lot Ican do about that. If something you’ve heard or seen from somebody you don’tknow has suddenly changed your opinion of me then is there really anything Icould say or do that could change your mind anyway? I learned a long time ago(15 years of marriage) to pick my battles and this, my friends, is one I reallydon’t care to fight. With that said, let me share a little something with you.The Bachelor producers have scriptedand are responsible for certain events: the first moon landing, the end ofthe cold war, Astro-turf, and the Internet (sorry, Al Gore, it wasus). But we are not responsible for, nor have we ever scripted, the ending ofthis show. Let me re-type this slowly so all of you can read this: We donot, and have not, decided the ending of any of our seasons. Let’s behonest, if we did don’t you think we would do a better job and have a muchhigher success rate? As much as we’d love to take credit, we didn’ttell Trista to fall in love with Ryan, get married, and have two babies.We didn’t script Charlie falling in love with Saraonly to struggle as a couple battling an addiction and then persevereand now thrive as a happy couple. Nor did we tell Brad Womack tonot pick anybody and just leave and go back to his life in Texas. These wereall cases of good ol’ fashioned human behavior and free choice.







