Archive: January 2009 (91-100 of 354)

Jan 26 2009 02:00 PM ET

SAG Awards: Best and Worst and winners list

Merylstreep_lBest winner reaction: Doubt‘s genuinely surprised lead female actor Meryl Streep, who mouthed "What? What?" when her name was called, then proceeded to high-five members of the audience giving her a standing ovation on her way to the stage. Upon reaching the podium, she kissed presenter Ralph Fiennes, and addressed her underwhelming pant ensemble: "Well, I didn’t even buy a dress," she said. "I’m really, really, really shocked, and even though awards mean nothing to me anymore, I’m really happy." Translation: Please give the Oscar to one of the other deserving ladies. She might not want to be called the "best actress" or the "greatest living actress," but would she settle for the most-liked?

Worst presenter credentials: Katie Holmes, who got to present Male Actor in a Leading Role to Milk‘s Sean Penn because she’s Tom Cruise’s wife? Luckily, you didn’t have too long to dwell on the absurdity of that, because you had to keep up with the mood swings of Penn’s speech: He started out light ("Something happened to me during the making of this movie, and I noticed it tonight, [when] I noticed that the two statues have rather healthy packages"). Then he got serious (he said actors don’t play gay or straight, they play human beings, and Milk is about equal rights for all human beings). Then he became teary ("I wept at everyone of these guys performances. You’re stunning”). Then he was belligerent (he said he didn’t agree with everything that had transpired during the evening, noted the omission of Che‘s Benicio Del Toro from his category, and called TV Oscar pundits "idiots" because they’ll make the Best Actor Oscar race sound like a dog fight, when really, the nominees are all proud of and challenged by each other).

Best show-opening "I’m an Actor" speech: Tie between Will Arnett, who said, "I’ve talked my way out of 11 fights. I’ve cried more this year than most women do in a lifetime. Wherever I go, I seek out a mirror and when one’s not available, I’ll make do with a car window or dark picture. I’m Will Arnett, and I’m an alcoholic actor." And Steve Carell, who said, "On Jan. 15, 2009, a US Airways pilot named Chesley Sullenberger performed an exacting perfect emergency landing into the icy cold waters of the Hudson River. It’s a good thing that I was not behind the controls of that plane, because I’m Steve Carell, and I’m an actor."

Worst show-opening commentary over star arrivals: "Rosario Dawson blows kisses."

Best relevant joke by a 30 Rock cast member: Tina Fey, accepting her award for Female Actor in a Comedy Series and thanking her young daughter: "And I want to thank Alice for her patience. Someday, she’ll be old enough to watch 30 Rock reruns on the Internet and understand where mommy was going at 6 a.m. every day for all that time. And she’ll look up at me and say, ‘What do you mean, you don’t get residuals for this?’ I love you, Alice. Take care of me when I’m old and broke!"

Worst random joke by a 30 Rock cast member: Jane Krakowski, accepting the cast’s award for Ensemble in a Comedy Series. "We’ve all been lucky enough to be a part of great ensembles on stage and on TV. And I was lucky enough to be a part of Ally McBeal for five years. But I can honestly say that this ensemble is a thousand times…heavier." (Runner-up would be Krakowski’s co-star Alec Baldwin, winner of Male Actor in aComedy Series: "It’s so nice to be able to see some old friends, and Idon’t know who I want to make out with more tonight, Tony Hopkins orDiane Lane. I can’t decide, ’cause Tony looks so good. He looksfantastic.")

Best attempt at humor-filled humility: House‘s Hugh Laurie, accepting his award for Male Actor in a Drama Series: "This is amazing. I actually had a $100 on James Spader….This is just not my night." (Runner-up, Mad Men‘s Jon Hamm, accepting the award for Ensemble in a Drama Series and thanking "Our dozens of, uh, viewers.")

Worst attempt at humor-filled humility: Brothers & Sisters‘ Sally Field, accepting her award for Female Actor in a Drama Series: "Oh dear, I thought it would be a cable girl. And such good actors they are."

Best presenter patter: John Krasinski and Amy Poehler’s fight while presenting Female Actor in a Drama Series. (Maybe Poehler and her husband, Arnett, could one-up each other as co-hosts of the Emmys?)

Worst presenter patter: Claire Danes’ intro for Ensemble in a Comedy Series. I’m attempted to blame it on her delivery, but I don’t know that anyone could have made that tired "And as for the ladies on Wisteria Lane, well, they don’t have to sell anything — they’re just fabulous" joke funny five seasons later.

Best bit of bonus trivia: Lifetime Achievement Award recipient James Earl Jones started stuttering when he was five years old and his parents divorced in Mississippi and sent him to live with his grandparents in Michigan. He barely spoke for 12 years, until a teacher challenged him to read a poetry assignment aloud to his class. He memorized the poem and delivered it perfectly. (For those wondering about Jones’ closing salute to Paul Newman, "Somebody down here likes you," it’s a play on Newman’s 1956 film Somebody Up There Likes Me.)

Worst waste: All those plates of food on the actors’ tables that went untouched.

After the jump, the list of winners:

READ FULL STORY »

Jan 26 2009 01:35 PM ET

American Idol's Melinda Doolittle is back!

She may have finished third on the sixth season of American Idol, but Melinda Doolittle sounds every bit the winner on her new retro-soul disc, Coming Back to You, set to drop Feb. 3. As part of her promotional tour for the album, Mindy Doo kept a promise she made back in May 2007, dropping by Entertainment Weekly and turning our humble offices into a raucous concert arena. We’ll premiere that performance of her first single, "It’s Your Love," tomorrow morning, but first, check out the embedded interview below, in which Melinda discusses the surprising speed with which she recorded her album, her technique for achieving flawless vocal phrasing, and her connection to none other than Miss Jody Watley.

Jan 26 2009 01:00 PM ET

'The L Word' recap: Pregnant Man Alert! Yes, they went there

You wanna know why I still love The L Word after all this time? It’s because it’s the only show I know of that can shock me into silence at least three times in one episode. First, there was the arrival of Elizabeth Berkley, who—God love her—always brings a little bit of that Showgirls stank with her no matter where she ends up. This go-round, she’s playing a former college roomie/apparent lover of Bette’s, a sort of art-world barracuda who oozes pheromones and trouble—and, come to think of it, bears a striking resemblance to Jerry Hall. (Incidentally, who else misses Kept?) Then there was Jenny and Shane’s quicker-than-expected reunion, the result of Jenny’s surprise revelation that she was in love with her best friend. (You had to have known this was coming; I was asking about it last year.) But really, The L Word really went for the gold last night: Max, a.k.a. the F-to-M transgender character who’s rarely onscreen and generally loathed by most fans, is pregnant. Yes, that’s right: The L Word has officially cribbed the Oprah-approved real-life tale of the now-infamous "pregnant man," Thomas Beattie.

So…let’s talk about all this. How are you all coping with the Max-is-pregnant twist? Do you think the show will give us a story that’s cringe- or GLAAD Award-worthy? How do you feel about Shane and Jenny’s hookup? What else did you like—or hate—about last night’s episode? Lay it on me, my friends!

Jan 26 2009 11:00 AM ET

Quote of the day: Australia Day edition

”When I lived in Porpoise Spit, I used to sit in my room for hours and listen to ABBA songs. But since I’ve met you and moved to Sydney, I haven’t listened to one ABBA song. That’s because my life is as good as an ABBA song. It’s as good as ‘Dancing Queen.”’ — Muriel (Toni Collette), to her best friend Rhonda (Rachel Griffiths), in Muriel’s Wedding

Jan 26 2009 03:31 AM ET

Joey Fatone, please never come near a red carpet again

Seriously, dude. If this is the best that you can do with the job you’ve been given, please find another profession. Talking to James Franco about his role in Milk does not require you to make off-color cracks about "that white stuff." Asking questions like, "You did play a homosexual–it is hard for an actor to do something like that…who is straight. Is it?" insults both Franco and the audience’s intelligence. And then! To follow it up by asking him if more men than women now hit on him? You can’t be for real. Shouldn’t you have learned a little something beyond these stupid talking points since you’re, you know, LANCE BASS’ BEST FRIEND?? This has to be the most pointless, inarticulate red-carpet performance I’ve ever seen, and that’s saying a lot.

Jan 25 2009 10:57 PM ET

Ryan from 'The Real World': Time for the Jason Mraz wannabe to lose the guitar

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The Real World: Brooklyn is three episodes in, and for the most part, I’d say it is a pretty good season. A transsexual, a cute gay, and a beefcake whose abs could crack my skull? Um, yes please on all three counts.

I’m probably going to take a lot of crap for saying this, but there is one major thing that annoys me so far this season: Ryan and his heinous attempt at a singing career. His vocals are alone are atrosh—they’re tired, way too whiny and forced, and—surprise!—extremely douchebaggy. And: He needs to lose the stocking cap he’s been wearing while playing around the apartment.

Now I know I’m probably not supposed to say all this because he was in the military and went to the Middle East and all. But does that give a person a free pass to sing awfully on TV? Seriously, if I could, I’d kiss that record producer that basically told him to go away in the last episode. He probably did more good for Ryan because—finally!—someone told him the truth. His roommates certainly weren’t going to.

PopWatchers, I found a pseudo-tribute video (huh?!?) to him on YouTube. (No stocking cap in the video, but a totally awesome and expertly frayed baseball cap instead!) Take a look at it below and then let me know: Do you agree with me? Or are you swooning over the Jason Mraz wannabe? How do you feel about the line "My grip is tight / on the weapon that I hold" from his song? (I hate it.) Let loose in the comments!

 

Jan 25 2009 07:29 PM ET

Miss America: Does anyone care?

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And the winner of the 2009 Miss America Pageant is…

Do you really care?

Actually, there was a time — not so long ago, really — when Americans did, tuning in in record numbers. It was like the Super Bowl with evening wear. But in 2009, the thought of seeing 52 young women (the extra two are for Miss District of Columbia and Miss U.S. Virgin Islands) awkwardly prance around in bikinis and high heels (there’s a look you see in real life a lot) and showing off their hokey "talents" like tap dancing and belting out their rendition of "Home" from The Wiz, seems not just like bad programming, but embarrassingly out-of-step with the times. And the fact that the mirrored stage made the whole thing look like it was being broadcast live from the Champagne Room at Cheetah’s, didn’t help matters either. Watching it, you couldn’t help thinking that every 10 minutes of air time set the women’s movement back another decade — a sad situation that even host Mario Lopez, jockeying to become the poor-man’s Seacrest, couldn’t right. What, was Joey Fatone busy?

Let’s be honest, if these young women (most of whom looked well beyond the 17 to 24 age limit thanks to their knack for applying make-up with a trowel) really had any discernible talent beyond spouting rehearsed platitudes about how they plan to improve the state of the world with a tiara on top of their Texas-sized hairdos, they would have already signed up for Top Chef, Project Runway, or American Idol instead of slumming it on this low-rent cavalcade. Not that TLC didn’t try to get with the times. This year’s "updated" Miss America format included a lame, lead-up reality TV series that had the gals fighting for wildcard spots in the big event. Not a bad idea, in theory. But a pageant that requires that much commitment from viewers is doomed when there are so many better things on like, oh, I don’t know, Howie Do It. And the addition of a loser’s lounge, where the freshly eliminated had to sit, stew, and shoot dagger-eyes at the contestants who were still standing, was an uncalled-for extra helping of humiliation. Actually, that part was kind of fun.

Still, you can’t blame the producers of Miss America for wanting to hip things up a bit. After all, there’s nothing in American popular culture that’s as hopelessly square as this wheezy old soap opera. But adding Lopez (whose smarmy ad-libbing was excruciating) and some weak reality challenges was hardly a step in the right direction. Then again, what do you expect from TLC — the network that’s currently running the creepy JonBenet Ramsey-style show, Toddlers & Tiaras?

Maybe the only honest moment in the show came when Miss District of Columbia admitted to the camera that she was only in it for the scholarship money and to get out of debt. Wow, was she really just allowed to say that? Naturally, she didn’t make it to the Final Five. So, who did walk away with an armful of long-stem roses and the rhinestone crown? Well, if you read this far, I suppose you’ve earned the right to know: that would be Miss Indiana.

Go Hoosiers!

Congratulations, Miss America 2009. We’ll all be paying rapt attention to your first 100 days in office. For now, be gracious and leave the whole world peace thing to our new president. Instead, how about making your first official act as the reigning queen to put this dated contest out of its misery once and for all?

What did you think of Miss America…that is, if you’re brave enough to admit you watched it?

Jan 24 2009 10:58 PM ET

Goodbye to all that: 'Days of our Lives' dumps John and Marlena

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MarlenajohnThis is not a good time to be a soap star. The genre hasbeen on a slow march toward inevitable death for more than a decade, theratings blow, and the cost of mounting and producing a series that airs morethan 250 episodes per year is unreasonable in this lousy economy. And if youwant proof that nobody is safe, just look at Friday’s episode of Days of ourLives. Just two days after the series aired its 11,000th episode,stars Deidre Hall and Drake Hogestyn appeared for the last time.

John and Marlena’s saga spanned two decades and epitomizedthe supercouple phenomenon that helped soaps soar throughout the ‘80s. Aclassy, upstanding psychiatrist who had a knack for falling into the clutchesof madmen (hello, Stefano DiMera!), Marlena fell for the enigmatic John Blackwhen he first arrived in Salem wrapped in bandages, his memory all but erased.For the past 22 years, we’ve watched these two fight off every obstacleimaginable—hell, they even beat back the Devil himself: Days’ memorably campydemonic-possession storyline, which played out over the winter of 1995, remainsa watershed moment for soaps; it grabbed mainstream attention, and Hall’s steady,wink-wink performance—for which she memorably campaigned for a Daytime Emmy nod (she didn’t get it)—was a hitwith fans who’d never known her as anything but the mild-mannered, pragmatic “Doc.”(You can see a great clip of MarDevil in action right here.)

I could spend all day regaling you with my favorite John andMarlena moments, but if you were ever a Days fan, I’d rather hear about yours.Suffice it to say that the Days canvas—and daytime as a whole—will be a littleless dazzling when we tune in on Monday. Soaps aren’t likely to create genresuperstars like Deidre Hall and Drake Hogestyn anymore—for starters, I dare youto name one current soap actor whose life story would inspire a TV-movie! Days’sendoff for the pair was a rush job, a pathetic train wreck that all but wrappedup a year-long storyline in about 20 minutes, but I can’t say I was surprised.The series has always treated its departing cast members with astonishingflippancy, and we longtime fans have come to expect this sort of masochisticabuse each and every time. I’m especially peeved that the Days brass couldn’teven figure out a way to give Hall and costar Alison Sweeney—who has arguablybeen Hall’s strongest, most effective scene partner since her arrival in 1993—onefinal scene. What a disgrace.

If I sound resigned, well…soap fans will understand: Sayinggoodbye to characters who have been a part of your day-to-day life for morethan 20 years is, yeah, like saying goodbye to friends. The fact that thishappened to two of Days’ most pivotal, beloved characters and actors makes itfeel even worse—in essence, longtime fans like me are being robbed of a dynamiccoupling that’s a huge part of what has made Days endure for so long. I’veposted a shot of John and Marlena’s final scene below, but trust me—this is farfrom their best work. There are clips all over YouTube that give you a bettersense of their glory days. I encourage you to look them up.

In the meantime, do any of you Days fans have a favoriteJohn and Marlena memory? Will you still watch the show without them? And hey,what should Hall and Hogestyn do next?

Jan 24 2009 10:20 PM ET

'Generations' Cat Fight: The best moment in television ever

Obviously that headline is facetious. But seriously, have you PopWatchers seen the now-infamous cat fight scene from NBC’s tragic and short-lived soap opera Generations? I’m sure some of you have. But if you haven’t, then you’re in for a real treat: A very young Vivica A. Fox throws down with a gold-lamé-dress wearing Jonelle Allen.

But it’s not just any run-of-the-mill cat fight. These two fired-up broads start with a war of words ("All the money in the world won’t clean you up! You disgust me!") before devolving into the most outlandish fight scene of all time. Literally, they both snap off their clip-on earrings—and Jonelle even hikes the train from her dress up between her legs!—before tangoing and tearing the apartment apart. Hello! That’s how awesome this protracted scene is. The dialogue is clichéd and wonderful: "Come get me, b***h!" "Daniel Reubens loves me, and no little piece of street trash is is gonna tell me otherwise!" And, my favorite, "I wanna wipe this floor with you!"

I’d go so far as to say this defines the time when soaps were really soaps. I’ll stop talking now, and let you just enjoy.

What’d you think PopWatchers? Best. Clip. Ever. Right?

Jan 24 2009 09:45 PM ET

'The Expendables': Will it be the greatest action flick ever?

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If you’re anunapologetic fan of noisy, neck-snapping ’80s action movies like me, the slowdribble of plot tidbits and casting crumbs for 2010′s The Expendableshas no doubt whet your appetite for what’s shaping up to be quite possibly thegreatest flick of all time. If you’re late to the red-meat, rat-a-tat,Reagan-era party, here’s what all the excitement is about:

Sylvester Stallonehas written and, starting next month, will be directing a throw-back action extravaganzaabout a lethal posse of ruthless mercenaries who are hired on the sly by theCIA to topple a South American dictator. So far, so good, right? I know whatyou’re thinking: this guy should have retired years ago—some time around CopLand. But if you coughed up ten bucks to see last year’s Rambo (andguessing from its disappointing haul at the box office, I was only one of abouta dozen people who did), then you know that Sly can still exterminate withextreme prejudice.

But what really has my inner-13 year old really geeked up is the cast.According to Variety, Stallone will topline the band of not-so-merryhe-men along with Jet Li, Jason Statham, UFC goon Randy Couture, and freshlyminted Oscar nominee Mickey Rourke. Other possible names being knocked aroundinclude Ben Kingsley, who, anyone who’s seen Sexy Beast will recall, canplay a hair-trigger psycho. Not drooling yet? Ok, here’s five more reasons whyI’m counting down till The Expendables.

1. Stallone looks scary…ina good way. There are already pre-production photos of Sly floating around theInternet. And he looks totally yoked, covered in tattoos. Yes, the dude may be62, but in these pics he looks like he could snap Rambo’s neck like a dry twig.

2. Statham Unleashed.Has there been a better Cockney tough guy since the Get Carter-eraMichael Caine? Granted, his Transporter movies are a little too PG-13for my sweet tooth, but if you’ve seen Crank, Death Race, or Snatch,you know there’s more mature-audience mayhem simmering inside of him just dyingto get out. Hopefully, this is the venue for letting that particular genie outof the bottle.

3. Will MickeyRourke’s comeback continue? Who doesn’t want to see what he does next? Afterdestroying his career—and his once-handsome face— his resurrection in TheWrestler has made Rourke one of the most compelling figures in Hollywood.What will he do with his new-found capital? I, for one, think this kind ofmovie is exactly what he should be doing. I’d rather see him bust someskulls than make a movie with Kate Winslet or Dame Judi Dench.

4. The long-awaited RockyIV rematch. Stallone and Dolph Lundgren together again! I’ve been waitingyears to write that sentence. Say what you want about Lundgren’s direct-to-DVDresume of late (I’m not ashamed to admit that I’ve kept up with theselow-budget cheapies and some of them are surprisingly good), the one-timeonscreen knuckle-bruiser and Italian Stallion foe, Ivan Drago, deserves to bethe next Mickey Rourke-style reclamation project.

5. The return of thebuddy action flick. As Quentin Tarantino cobbles together his intentionallymisspelled WWII guys-on-a-mission homage-a-palooza, Inglourious Basterds,Stallone’s entry has the benefit of being the stealthy bottom-half of a DirtyDozen-style double feature. As much as I love watching Jason Bourne takingon the world single-handedly, there’s nothing like watching a brawny band ofbrothers getting their hands covered in blood (think Schwarzenegger’s Predator).The world is a dangerous place these days. Maybe, just maybe, it takes a ragtagvillage of expendable badasses to sort it out.

We’ll keep you postedas more news Expendables news comes out, but until then, what do youthink? Will this thing rock or what?

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